Deep image is a term coined by U.S. poets Jerome Rothenberg and Robert Kelly in the second issue of Trobar in 1961. They used it to describe poetry written by them and by Diane Wakoski and Clayton Eshleman.
In creating the term, Rothenberg was inspired by the Spanish cante jondo ("deep song"), especially the work of Federico García Lorca and by the symbolist theory of correspondences.
In general, deep image poems are resonant, stylized and heroic in tone. Longer poems tend to be catalogues of free-standing images.
The deep image group was short-lived in the manner that Kelly and Rothenberg used.
It was later redeveloped by Robert Bly and used by many, such as Galway Kinnell and James Wright. The redevelopment relied on being concrete, not abstract, and to let the images make the experience and to let the images and experience generate the meanings. This new style of Deep Image tended to be narrative, but was often lyrical.
Famous quotes containing the words deep and/or image:
“There was a sound of revelry by night,
And Belgium’s capital had gathered then
Her beauty and her chivalry, and bright
The lamps shone o’er fair women and brave men;
A thousand hearts beat happily; and when
Music arose with its voluptuous swell,
Soft eyes looked love to eyes which spake again,
And all went merry as a marriage-bell;
But hush! hark! a deep sound strikes like a rising knell!”
—George Gordon Noel Byron (1788–1824)
“I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.”
—Roland Barthes (1915–1980)