Musical Style and Critical Reception
Decapitated's music is composed by the "mastermind" of the band, Vogg, who co-worked with Vitek while writing prior to his death. Decapitated became known for its songwriting and technical instrumental approach at an extraordinarily young age and earned an international fan base in the underground music community. In the review of Decapitated's debut album, Allmusic said "the band has a seemingly effortless understanding and command of ... their instruments and ... the songwriting is extremely solid; even in the first listen." The characteristics of Nihility and Negation are "powerful, blastbeat-filled drumming, dissonant yet memorable guitar riffs, and inventive guitar solos" and substantially high production quality. In the review of The Negation, Metal Hammer states that "Sauron is one of the most capable vocalists on the scene". With Organic Halucinosis, Decapitated focused on non-traditional death metal aesthetics, more complex songwriting and grooves, and polyrhythmic approach; Covan contributed more versatile vocals. A notable element of groove is present in Decapitated's death metal sound.
Decapitated's releases are some of death metal's most significant albums of the early 21st century. Winds of Creation was "responsible for re-igniting a stagnating death metal scene" and Organic Hallucinosis proved to be substantially influential in the subsequent development of the genre. According to Kerrang!, Decapitated have released "classic albums; (...) that have turned these youthful Poles into one of the genre's most widely respected bands. Tomas Haake, the drummer of the Swedish band Meshuggah, commented the death of Vitek: "The metal community has lost one of the most talented and skillful drummers of our time! Vitek was a true talent and drummer genius."
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