Plot
Detectives Roger Mortis (Treat Williams) and Doug Bigelow (Joe Piscopo) are called to the scene of a rather violent jewelry store robbery. The robbers take on a squadron of police in a messy shootout, but neither seem affected when they are riddled with bullets. Thanks to the combined, albeit extreme measures of Mortis and Bigelow, they are able to take out the criminals, their acts narrowly avoiding termination. Meanwhile, a coroner friend of Roger's, Rebecca (Clare Kirkconnell) informs the detectives that the two bodies they had brought in had previously been to the morgue and inexplicably had already been autopsied on, suggesting they simply got up and left the morgue at their own volition. There is a preservative chemical compound in their bodies that connect the pair to a company that had ordered a great amount of it recently. Mortis and Bigelow investigate and meet the company's head public relations person, Randi James (Lindsay Frost) who gives them a tour of the facility. When Doug wanders off to investigate a suspicious room, he encounters the reanimated corpse of a biker on a strange machine and in the fray, Roger is knocked into a decompression room used to humanely kill failed test animals and is asphyxiated to death.
Encountering the machine, and realizing it is capable of bringing people back from the dead, Rebecca and Doug successfully bring Roger back from the dead. He says he feels fine, yet he has no heart beat and his skin is cold to the touch, Rebecca surmises he has about twelve hours before the reanimation process ends and he dissolves into a puddle of mush. Roger decides to take this time to find and exact his vengeance on the person who killed him. They go to Randi's house just shortly before she is attacked by two more undead thugs, which the partners are able to subdue. Randi says that she is the daughter of a rich industrialist, and the owner of the company she works for until his death Arthur P. Laudermilk (Vincent Price) they pay another visit to Rebecca, who says that she might have found a way to keep Roger in healthy condition indefinitely, but the unsure nature of the theory has him decide to spend his final hours finding the man who killed him. He and Randi pay a visit to Laudermilk's tomb and Randi admits she's not his daughter, more a protégé or daughter he'd never had. While there, they encounter a numeric code, which Roger discovers later is a vital clue. Upon returning to Randi's home, they find Doug dead, having been suspended and drowned in a fish tank for some time. Randi tells Roger that she too is undead, having been one of Laudermilk's first test subjects for resurrection, shortly before abruptly dissolving while asking for Roger's forgiveness.
Roger confronts the head coroner Dr. Ernest McNab (Darren McGavin) who was indicated by the secret numeric code that Roger had found, but he turns the tables on Roger, capturing him, then locking him in an ambulance with Rebecca's dead body in order to wait out his last hour to dissolution. He releases the brakes on the ambulance and puts it in neutral, sending it careening down the highway into a massive collision, from which he emerges, even more zombified and scarred almost beyond recognition. He returns to the hospital where McNab and a resurrected Laudermilk are pitching the resurrection machine to a group of very rich clients. Mortis breaks in and the ensuing crossfire between him and McNab's men kill off most of the rich clients, leaving Laudermilk cowering in a corner. McNab reveals a test subject; Doug, resurrected from the machine. But because he's been dead for hours, the brain deterioration leaves him little more than an obedient zombie with no memory of who Roger is. Before he can obey McNab's orders to kill Mortis however, Roger manages to trigger Doug's short term memory and bring him back to normal. The pair go after McNab who immediately kills himself before they can do anything. Roger and Doug put McNab onto the resurrection table and resurrect him, but Doug starts the resurrection process again and it overloads, causing a screaming McNab to explode in the machine. Despite Laudermilk's pleas and promises of eternal life, the pair then destroy the machine completely, leaving the room pondering about the afterlife and reincarnation; Doug's fond wish of being reincarnated as a girl's bicycle seat intriguing the both of them.
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Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)