Models
Dante takes inspiration from rhetorical essays in Latin, Occitan, and Italian, and from philosophical readings. The main classical rhetorical texts from which he drew information were the Ars Poetica by Horace, the Rhetorica ad Herennium by an anonymous author, and De Inventione by Cicero. About the philosophical works, it is important to know that Dante read not only first hand texts, but also summaries that sometimes were not of the original work, but of an intermediary one.
The major Occitan work that influenced Dante was probably Razos de trobar by the Catalan troubadour Raimon Vidal de Bezaudun and the Vers e regles de trobar, an amplification of Vidal's manual, by Jofre de Foixà. Both of these works were Occitan manuals of grammar for troubadour poetry. They implicitly and explicitly defended Occitan as the best vernacular for song and verse, prompting Dante to come to the defence of his beloved Tuscan tongue. The popularity of both singing and composing in Occitan by Italians prompted Dante to write: A perpetuale infamia e depressione delli malvagi uomini d'Italia, che commendano lo volgare altrui, e lo loro proprio dispregiano, dico..., meaning "To the perpetual shame and lowness of the wicked men of Italy, that praise somebody else 's vernacular and despise their own, I say..." ( Convivio, treatise I, XI )
Directly or indirectly, Dante came to read Saint Augustine's works, the De Consolatione Philosophiae by Boëthius, Saint Thomas Aquinas's works and some encyclopedic dictionaries like the Etymologiae by Isidore of Seville and the Livre du Tresor by Brunetto Latini. He takes also inspiration from Aristotelian philosophy, and in Dante's work are traceable some references to texts by representatives of what is sometimes referred to as Radical Aristotelianism.
Read more about this topic: De Vulgari Eloquentia
Famous quotes containing the word models:
“Grandparents can be role models about areas that may not be significant to young children directly but that can teach them about patience and courage when we are ill, or handicapped by problems of aging. Our attitudes toward retirement, marriage, recreation, even our feelings about death and dying may make much more of an impression than we realize.”
—Eda Le Shan (20th century)
“French rhetorical models are too narrow for the English tradition. Most pernicious of French imports is the notion that there is no person behind a text. Is there anything more affected, aggressive, and relentlessly concrete than a Parisan intellectual behind his/her turgid text? The Parisian is a provincial when he pretends to speak for the universe.”
—Camille Paglia (b. 1947)
“Friends broaden our horizons. They serve as new models with whom we can identify. They allow us to be ourselves—and accept us that way. They enhance our self-esteem because they think we’re okay, because we matter to them. And because they matter to us—for various reasons, at various levels of intensity—they enrich the quality of our emotional life.”
—Judith Viorst (20th century)