De (Cyrillic) - Form

Form

The major graphic difference between De and its modern Greek equivalent lies in the two descenders ("feet") below the lower corners of the Cyrillic letter. The descenders were borrowed from a Byzantine uncial shape of uppercase Delta.

De, like the Cyrillic letter El, has two typographical variants: an older variant where its top is pointed (like Delta), and a modern one (first used in mid-19th c. fonts) where it is square. Nowadays, almost all books and magazines are printed with fonts with the second variant of the letter; the first one is rather stylish and only a few popular text fonts use it (the most known example is "Baltika" designed in 1951-52 by V. G. Chiminova and others).

In italic (Russian) type, the lowercase form looks more like the lowercase Latin ⟨d⟩: ⟨д⟩. Southern (Serbian, Bulgarian, Macedonian) typography may prefer a variant that looks like a lowercase Latin G ⟨g⟩. Cursive lowercase De has the same two shapes, but with a different distribution: for example, the g-shaped variant is a standard for Russian schools.

The (Russian-Ukrainian-Belarusian-Bulgarian) cursive form of capital De looks like Latin D as the printed version is not comfortable enough to be written quickly. The Serbian cursive form is closer to the shape of digit 2 (the identical shape is sometimes used for uppercase cursive Latin Q), the form unknown in Russia.

Read more about this topic:  De (Cyrillic)

Famous quotes containing the word form:

    “Women are not so well united as to form an Insurrection. They are for the most part wise enough to love their Chains, and to discern how becomingly they fit.”
    —Mary Astell (1666–1731)

    “We’ve only just begun to learn about the water and its secrets, just as we’ve only touched on outer space. We don’t entirely rule out the possibility that there might be some form of life on another planet. Then why not some entirely different form of life in a world we already know is inhabited by millions of living creatures?”
    —Harry Essex (b. 1910)

    “What is a novel if not a conviction of our fellow-men’s existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history?”
    —Joseph Conrad (1857–1924)