Composition
"The Sprawl" was inspired by the works of science fiction writer William Gibson, who used the term to refer to a future mega-city stretching from Boston to Atlanta. The lyrics for the first verse were lifted from the novel The Stars at Noon by Denis Johnson. "Cross the Breeze" features some of Kim Gordon's most intense singing, with such lyrics as, "Let's go walking on the water/Now you think I'm Satan's daughter/I wanna know, should I stay or go?/I took a look into your hate/It made me feel very up to date". "Eric's Trip" has lyrics pertaining to Eric Emerson's LSD-fueled monologue in the Andy Warhol movie Chelsea Girls.
"Hey Joni" is titled as a tribute to rock standard "Hey Joe" and to Canadian singer-songwriter Joni Mitchell. It is sung by Lee Ranaldo, and has surrealist lyrics such as "Shots ring out from the center of an empty field/Joni's in the tall grass/She's a beautiful mental jukebox, a sailboat explosion/A snap of electric whipcrack". This song also alludes to the works of William Gibson with the line "In this broken town, can you still jack in/And know what to do?" These feature similarly on Lee's two other songs on the album, the rarely-played "Rain King" — a homage to Pere Ubu and perhaps Saul Bellow's Henderson the Rain King — and the aforementioned "Eric's Trip".
The album's title comes from a lyric in "Hyperstation", and the closing track "Eliminator Jr." (inspired by the "Preppie Killer" Robert Chambers) was thus titled because the band felt it sounded like a cross between Dinosaur Jr. and Eliminator-era ZZ Top. It was given part "z" in the "Trilogy" both as a reference to ZZ Top and because it is the closing piece on the disc.
Read more about this topic: Daydream Nation
Famous quotes containing the word composition:
“There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.”
—Gertrude Stein (1874–1946)
“The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.”
—Mary Kay Blakely (20th century)
“I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.”
—Henry David Thoreau (1817–1862)