Depictions in Popular Culture
Broder was called "relentlessly centrist" by The New Yorker's political commentator Hendrik Hertzberg. Frank Rich of The New York Times often described Broder as the nation's "bloviator-in-chief".
He earned a mention in two books chronicling the media’s coverage of the 1972 presidential campaign between Richard Nixon and George McGovern, including Timothy Crouse’s The Boys on the Bus and Gonzo journalist Hunter S. Thompson’s Fear and Loathing: On the Campaign Trail ’72.
Broder’s work was also cited in two autobiographies by key figures in the history of The Washington Post: Personal History by Post publisher Katharine Graham in 1997 and A Good Life: Newspapering and Other Adventures by Post executive editor Ben Bradlee in 1995. More recently, Broder was included in former Post columnist Dave Kindred’s 2010 book on the paper's struggles in the changing media landscape: Morning Miracle: A Great Newspaper Fights for Its Life. Broder is also mentioned in Bill Clinton’s biography First In His Class by David Maraniss.
Broder earned a place in a work of fiction, meriting a mention by a White House senior staffer to fictional U.S. President Jed Bartlet (portrayed by actor Martin Sheen) on the NBC-TV series The West Wing.
Read more about this topic: David S. Broder
Famous quotes containing the words depictions, popular and/or culture:
“Surely, of all creatures we eat, we are most brutal to snails. Helix optera is dug out of the earth where he has been peacefully enjoying his summer sleep, cracked like an egg, and eaten raw, presumably alive. Or boiled in oil. Or roasted in the hot ashes of a wood fire.... If God is a snail, Bosch’s depictions of Hell are going to look like a vicarage tea-party.”
—Angela Carter (1940–1992)
“That popular fable of the sot who was picked up dead-drunk in the street, carried to the duke’s house, washed and dressed and laid in the duke’s bed, and, on his waking, treated with all obsequious ceremony like the duke, and assured that he had been insane, owes its popularity to the fact that it symbolizes so well the state of man, who is in the world a sort of sot, but now and then wakes up, exercises his reason and finds himself a true prince.”
—Ralph Waldo Emerson (1803–1882)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)