Career
Dobkin helmed his first feature film, Clay Pigeons, for Scott Free the first film produced at Ridley and Tony Scott's production company that they did not direct. The black comedy about a series of small-town murders starred Vince Vaughn, Joaquin Phoenix and Janeane Garofalo, and was distributed by Gramercy Pictures. Dobkin followed the film by directing the hit comedy Shanghai Knights starring Jackie Chan and Owen Wilson
Dobkin has directed commercials for clients such as ESPN, Heineken (which earned him honors from SHOOT magazine), Carl's Jr., Coke, Honda, Coors Light and Sony PlayStation (which won a Bronze Lion at Cannes). His spots for the Utah Symphony were named "Spot of the Month" by Adweek Magazine and featured as the year's best in Communication Arts Magazine. Dobkin's music video credits include George Thorogood's "One Bourbon, One Scotch, One Beer," Elton John's "You Can Make History" and Coolio's "1, 2, 3, 4" (MTV best dance video award), to name a few.
Quickly attracting the attention of several music labels, Dobkin made his music video debut with two video clips from rapper Tupac Shakur, both of which turned Platinum. Fifteen more videos followed in quick succession for such diverse music groups as Extreme, Robin Zander, Sonic Youth, dada, Blues Traveler, and others.
In May 2009, it was announced that Dobkin had entered negotiations to direct Neighborhood Watch, a comedy about an urbanite who moves to the suburbs, and uncovers a conspiracy. In talks to star is Will Ferrell, to whom Dobkin gave a cameo in Wedding Crashers. Dobkin produced the film adaption of the Dark Horse comic Rest in Peace Department and helmed the comedy film The Change-Up starring Ryan Reynolds and Jason Bateman.
Read more about this topic: David Dobkin (director)
Famous quotes containing the word career:
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do soconcomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“Whether lawyer, politician or executive, the American who knows whats good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
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