David Cook (album) - Reception

Reception

The album's reception has been generally mixed to positive. Entertainment Weekly gave the album a positive review saying, "They give David Cook's clutch of bombastic verse-chorus- verse rockers an impressive melodic sheen, one well suited to Cook's husky, expressive vocals. If anything, the series of booming midtempo anthems (most notable among them "Bar-ba-sol" and "Mr. Sensitive") could use a little sandpapering around the edges." Allmusic concurred writing, "He not only is a star thanks to AmIdol, but he's always been ready to do big, happy, crowd-pleasing grunge-pop, as his self-released 2006 debut, Analog Heart, proved. David Cook is remarkably similar to that now-suppressed effort, heavy on crawling, melodic midtempo rockers and power ballads, only given more gloss in its production and writing."

Billboard said of the album, "Much like his predecessors' quick-turnaround debuts, Cook's is fairly generic, but its rock edge is dirtied up with crunching guitars and the artist's tuneful growl. There are a host of big, anthemic choruses that highlight the power of Cook's voice, namely the soaring "Declaration" and Chris Cornell/Brian Howes-penned "Light On." Elsewhere, Cook exercises his right to rawk with the swaggering, gritty "Bar-ba-sol" and bares his soul alongside a delicate piano and string arrangement on "Permanent." There are some lyrical missteps ("Life on the Moon," which marvels at the titular concept), but as the lone rocker winner of "Idol" to date, Cook stands apart from cookie-cutter pop."

Rolling Stone gave the album an average review commenting on its lack of "out-of-the-box songwriting". Meanwhile, Ken Barnes of USA Today was also subdued in his review, particularly criticizing the production team and the song choices made on the album. Of it, he wrote, "they did him a disservice ... has a more supple, versatile voice than Daughtry, and he demonstrated vastly more musical originality than most Idol finalists, but you’d never know it from this collection of formulaic, tune-averse tracks."

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