Other Work
He has collaborated with such musical acts as Cast, The Cardigans, Kaiser Chiefs, Massive Attack, and Pulp, and solo artists Natasha Bedingfield, Melanie C, Björk, Chris Cornell, Shirley Manson, Mark Morriss and in 2009 produced Shirley Bassey's album 'The Performance.'
In 2001, he provided a new arrangement of Ron Grainer's Doctor Who theme music for the Eighth Doctor audio dramas from Big Finish Productions. His version was used as the Eighth Doctor theme starting with 2001's Storm Warning until 2008, when it was replaced with a new version arranged by Nicholas Briggs starting with Dead London.
Arnold is the second cousin of Irish singer-songwriter Damien Rice, and is an ambassador for aid agency CARE International in the UK. He has made minor appearances in two different episodes of Little Britain as separate characters.
In February 2011, it was announced that he was appointed Musical Director for the 2012 Olympic Games and the 2012 Paralympic Games in London.
In May 2011, he was part of the United Kingdom's jury for the Eurovision Song Contest 2011.
Arnold took part in a tribute to John Barry on 20 June 2011 at the Royal Albert Hall in London, singing a song that was composed by Barry and playing the guitar part of the James Bond theme.
He is not related to another British musician, David Arnold (conductor).
Read more about this topic: David Arnold
Famous quotes containing the word work:
“The best thing about Sassy Seats is that grandmothers cannot figure out how they work and are in constant fear of the childs falling. This often makes them forget to comment on other aspects of the childs development, like why he is not yet talking or is still wearing diapers. Some grandmothers will spend an entire meal peering beneath the table and saying, Is that thing steady? rather than, Have you had a doctor look at that left hand?”
—Anna Quindlen (20th century)
“But I must needs take my petulance, contrasting it with my accustomed morning hopefulness, as a sign of the ageing of appetite, of a decay in the very capacity of enjoyment. We need some imaginative stimulus, some not impossible ideal which may shape vague hope, and transform it into effective desire, to carry us year after year, without disgust, through the routine- work which is so large a part of life.”
—Walter Pater (18391894)