Career
Adjmi's play The Evildoers was developed at the Sundance Institute and the Royal Court Theatre in London. It premiered in January 2008 at the Yale Repertory Theatre. Variety called it "an anxiety attack of a play" and, of Adjmi, noted that he is "clearly a writer with a distinct voice, ambition and style." His play Stunning opened a month later at Woolly Mammoth Theatre Company in Washington DC where it was selected as one of the top ten plays of the year by The Washington Post and was published in American Theatre magazine. Stunning premiered in New York at Lincoln Center Theater in June 2009 where it played an extended run to sold-out houses. Adjmi's play Marie Antoinette was developed at the Goodman Theatre's New Stages Series and the Sundance Institute's Residency at the Public Theatre. It will premiere in a coproduction between the American Repertory Theater and Yale Repertory Theatre in Fall 2012. His play "3C" premieres at Rattlestick Playwrights Theatre in June 2012. His monologue Elective Affinities was commissioned by the Royal Court Theatre and later premiered at the Royal Shakespeare Company in the United Kingdom. In November, 2011 it received its U.S. Premiere at Soho Repertory Theatre, featuring Tony Award winning actress Zoe Caldwell, and directed by OBIE winner Sarah Benson. The New Yorker recently named Adjmi at one of the Top Ten in Culture for 2011, and described him as an artist who is part of "a new trend in the American theatre."
Other plays include Strange Attractors, Caligula and 3C. Adjmi is the recipient of numerous awards for his work, including the Helen Merrill Award, the Marian Seldes-Garson Kanin Fellowship, and McKnight and Jerome Fellowships from The Playwrights' Center. A collection of his work, Stunning and Other Plays, will be published by Theatre Communications Group in 2011, and Adjmi is currently at work on a memoir for HarperCollins.
Read more about this topic: David Adjmi
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (1817–1862)
“My ambition in life: to become successful enough to resume my career as a neurasthenic.”
—Mason Cooley (b. 1927)