Music
Dave focused primarily on his work with Dave Matthews Band from 1990 to 2003. Since that period, he has occasionally ventured outside the band in various solo performances and records. Matthews sang on the track "Sing Along" on Blue Man Group's second album The Complex in 2003. Later that year he released a solo album, "Some Devil", which went platinum; its single, "Gravedigger", won a Grammy Award in 2004. To support the album, Matthews toured with a group of musicians (many of whom performed on "Some Devil") under the name Dave Matthews & Friends.
Dave has close friendship with banjoist Béla Fleck, the frontman and namesake of Béla Fleck and the Flecktones, and with whom Matthews appears as guest vocalist on their 1998 release, Left of Cool and both Fleck (and the Flecktones) bassist Victor Wooten have made numerous appearances both live and studio with the Dave Matthews Band. Wooten soloed in the second part of the Daniel Lanois songThe Maker, and also in #41 on the 1998 live album Live in Chicago. The Flecktones also opened for DMB on several tours. Matthews performed a duet with Emmylou Harris on "My Antonia" on her 2000 album, Red Dirt Girl. They also appeared together on the musical television show CMT Crossroads, where the two performed Matthews' "Gravedigger" and the folk song "Long Black Veil", a song popularized by The Band.
Matthews performed a cover of Neil Young's song, "The Needle and the Damage Done" at the 2010 tribute, MusiCares Person of the Year honoring Young on January 29, 2010. The Dave Matthews band opened for The Rolling Stones on their Bridges to Babylon Tour-1997-1998, and Matthews sang "Wild Horses", and "Memory Motel" alongside vocalist Mick Jagger.
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Famous quotes containing the word music:
“Now the rich stream of Music winds along
Deep, majestic, smooth, and strong,”
—Thomas Gray (1716–1771)
“Westminster Abbey is nature crystallized into a conventional form by man, with his sorrows, his joys, his failures, and his seeking for the Great Spirit. It is a frozen requiem, with a nation’s prayer ever in dumb music ascending.”
—M. E. W. Sherwood (1826–1903)
“For the introduction of a new kind of music must be shunned as imperiling the whole state; since styles of music are never disturbed without affecting the most important political institutions.”
—Plato (c. 427–347 B.C.)