Technique and Materials
Shaw employs a combination of hand drawing, animation techniques and Photoshop to produce his artwork. Shaw started working on acetate sheets while studying at the School of Visual Arts. Pointing to pre-Photoshop comics that were colored via clear celluloid containing the black line art, under which would be placed a board with the painted colors, Shaw explains that he took this process and combined it with animation-style use of celluloid, where the backs of the acetate are painted with gouache and laid over a painted background, in addition to color separations where black line art is used to mark the different colors. In addition to using hand-drawing media such as crow quill pens, colored pencils, and markers, Shaw incorporates collage, Photoshop, and painting directly over photocopies, though he does not work with a separate line art layer, preferring to treat black as simply another color, and not a separate or more important element. On BodyWorld, for example, Shaw did the color separations by hand, used the paint bucket tool in Photoshop to color the shapes, and then printed it out and painted over the photocopy, before scanning it again and making final adjustments in Photoshop to achieve the final art.
Shaw explains that his key motive is combining what he likes about hand drawing with the processes available in Photoshop. He has stated that he does not own a drawing tablet, and that his actual knowledge of Photoshop is limited, compared to most mainstream colorists who rely on it exclusively, explaining, "that coloring leaves me cold."
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