Characters
Jane Orr
- Genvissa reborn. In the earlier life, she was Swanne, wife to Harold. Jane is reborn as Asterion's younger sister, and, under his power, she becomes his whore in his whorehouse. She soon catches the pox and later falls in love with Coel, the Faerie King. She is killed by the Troy Game for betraying its true nature to Noah.
King Charles
- Coel reborn. In the earlier life, he was Harold. He is King of England in this life, and mistaken by some players of the Troy Game to be Brutus. He also assumes the crown of the Faerie King.
Louis de Silva
- Brutus reborn. In the earlier life he was William of Normandy., he was His name in this life literally means 'Louis of the forest' as he was born there, bastard son of the Marquis de Lonquefort and his mistress Helene. He is French and described as having 'poet's eyes'. He becomes the resurrected Ringwalker, the Stag God Og.
Noah Banks
- Cornelia reborn. In the earlier life, she was Queen Caela of England. She is Eaving, Mag reborn and, in this book, trains to become the most powerful Mistress of the Labyrinth ever seen. It is later found out that she is a descendant of Ariadne and the Minotaur, Asterion. As it is, she falls in love with Asterion and becomes pregnant with their child, Grace.
Weyland Orr
- Asterion reborn. He is the dreaded Minotaur that all the other players of the Game struggle against until Noah and he fell in love. Noah then suspects that the evil is not Asterion, but the Troy Game. He has a daughter called Grace.
James, Duke of York
- Loth reborn. In his earlier life he was Saewald, physician of King Edward the Confessor. In this life he is King Charles's younger brother, a Christian who has renounced his pagan ways and upbringing from his first life as Loth.
Read more about this topic: Darkwitch Rising
Famous quotes containing the word characters:
“Animals are stylized characters in a kind of old sagastylized because even the most acute of them have little leeway as they play out their parts.”
—Edward Hoagland (b. 1932)
“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
—Vladimir Nabokov (18991977)