Characters
- Jack Torrance is a fictional character in Kubrick’s The Shining—not a Hollywood Producer and is played by David Winger.
- Jan Harlan is Christiana Kubrick’s brother. You will find the two discussing the “plot” of the film with Christiane Kubrick sitting on the same couch with Harlan.
- David Bowman is a fictional character in Kubrick’s 2001: A Space Odyssey, not a real astronaut and is played by Tad Brown.
- Maria Vargas (lead character in The Barefoot Contessa) is played by Jacquelyn Toman who is not Buzz Aldrin’s sister.
- Eve Kendall is a fictional character in Alfred Hitchcock’s North by Northwest and was not Nixon’s secretary (that woman's name was Rose Marie Woods) and is played by Barbara Rogers.
- Dimitri Muffley is a play on the names from Kubrick’s Dr. Strangelove (Soviet Premier Dimitri Kisov and American President Merkin Muffley) and is not a “former KGB agent.” He is played by Bernard Kirschoff.
- Ambrose Chapel is the name of a place in Hitchcock’s The Man Who Knew Too Much, not an “ex-CIA agent” who is played by John Rogers.
- George Kaplan (mentioned by narrator) is a fictional character within a fictional character in the Hitchcock film, North By Northwest.
- W. A. Keonigsberg (W. A. is for “Woody Allen,” as Koenigsberg is Woody Allen’s true name) The character is played by Binem Oreg.
Read more about this topic: Dark Side Of The Moon (mockumentary)
Famous quotes containing the word characters:
“Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.”
—William Burroughs (b. 1914)
“The Nature of Familiar Letters, written, as it were, to the Moment, while the Heart is agitated by Hopes and Fears, on Events undecided, must plead an Excuse for the Bulk of a Collection of this Kind. Mere Facts and Characters might be comprised in a much smaller Compass: But, would they be equally interesting?”
—Samuel Richardson (16891761)
“There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet.”
—George Eliot [Mary Ann (or Marian)