Cinematic Style and Legacy
Modern Iranian cinema begins with Dariush Mehrjui. Mehrjui introduced realism, symbolism, and the sensibilities of art cinema. His films have some resemblance with those of Rosselini, De Sica and Satyajit Ray, but he also added something distinctively Iranian, in the process starting one of the greatest modern film waves.
The one constant in Mehrjui's work has been his attention to the discontents of contemporary, primarily urban, Iran. His film The Pear Tree (1999) has been hailed as the apotheosis of the director's examination of the Iranian bourgeoisie.
Since his film The Cow in 1969, Mehrjui, along with Nasser Taghvaee and Masoud Kimiai, has been instrumental in paving the way for the Iranian cinematic renaissance, so called the "Iranian New Wave."
Read more about this topic: Dariush Mehrjui
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