Production
In 1997, 20th Century Fox optioned the rights from Marvel Enterprises, and Chris Columbus was chosen to direct the film. In 1998, Marvel was facing bankruptcy. During this time 20th Century Fox allowed the option to expire, so Disney began negotiations in order to acquire the rights. In 1999, the negotiations failed to work out so Marvel set the project up with Sony's Columbia Pictures. During this time, Chris Columbus and Carlo Carlei co-wrote a script together, before Mark Steven Johnson got signed to write the screenplay. By 2000, Sony decided to cancel the project, as the two companies reportedly could not come to an agreement over Internet rights.
New Regency entered negotiations with a more satisfying offer, attaining the character rights from Marvel in 2000 to produce the film, with 20th Century Fox handling the distribution. Mark Steven Johnson was rehired and his script was turned in during 2001, which was praised by Ain't It Cool News' Harry Knowles. Prior to shooting, producer Gary Foster said that in comparison to other comic book-based films before it, this film would be "more character-driven ... darker ... edgier," while Marvel Studios executive Kevin Feige felt the script was one of the strongest comic scripts Marvel had received.
20th Century Fox wanted to start filming in Canada in order to save money. This plan was contended by Johnson, and the film's cinematographer, Ericson Core, after they found a preferred area for shooting around downtown Los Angeles' Arcade Building. Core noted that the appeal came from the "beautiful, old brick buildings and great rooftops," which they felt was perfect for a depiction of Hell's Kitchen, Manhattan, in comparison to the studio's choice where the filming would be done in Montreal or Vancouver. Due to their insistence, coupled with Ben Affleck's disinterest in filming in Canada (after having filmed there for his previous film, The Sum of All Fears) they were able to change the studio's mind.
When the look of the film was being decided, Mark Steven Johnson opted to use direct scenes from the Daredevil comics. Joe Quesada's artistic take in Guardian Devil (Daredevil vol. 2, #1-#8) was an influence on the film, with Johnson noting that they would "literally take out a scene from the comic book that Joe did Here's Daredevil on the cross, you know, it's that scene from 'Guardian Devil'. You just shoot that." Throughout the film, Ben Affleck had to wear "cataract milky-blue" contacts, which would effectively make him blind. This was considered great by Johnson, as it would aid his performance.
The sound plays an integral part in the film, as the superhero relies on it in order to form his 'sonar sense'. Post-production sound was done by supervising sound editor John Larsen and sound designer Steve Boeddeker and is heard taking place immediately after Matt's optic nerve is seen mutating. The mutating of the nerve was done by Rhythm and Hues Studios, who also worked on the sonar-sense which became referred to as the "shadow world". Shadow world was made using just CGI except in a scene where Elektra and Matt Murdock are in the rain, which was done using CGI over film.
The score to Daredevil was written by Graeme Revell, and was released on March 4, 2003. He was attracted to the focus of "human-ness" on Daredevil, torn emotionally and physically by his superhero status. Avi Arad asked Revell to concentrate more on the emotions of Daredevil and Elektra, while Mark Steven Johnson wanted to stay clear from any gothic and action movie clichés. Revell tried to avoid too much individual motifs but some characters would have an identifiable sound, like Bullseye would have guitar undertones, while Kingpin would have bass beats. Guitarist Mike Einziger of Incubus collaborated with Revell for any additional rock elements. Revell thoroughly enjoyed working with Johnson, describing the director as "positive" and "responsive" when it came to experimenting (as opposed to feeling "locked in a box of preconceptions") which he felt lead to "cool stuff". Varèse Sarabande put together the score record.
Read more about this topic: Daredevil (film)
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