Music
The Barrack-Room Ballads, as the name suggests, are songs of soldiers. Written by Kipling, they share a form and a style with traditional Army songs. Kipling was one of the first to pay attention to these works; Carrington noted that in contrast to the songs of sailors, "no-one had thought of collecting genuine soldiers' songs, and when Kipling wrote in this traditional style it was not recognised as traditional". Kipling himself was fond of singing his poetry, of writing it to fit the rhythm of a particular tune. In this specific case, the musical source has been suggested as the Army's "grotesque bawdy song" Barnacle Bill the Sailor, but it is possible that some other popular tune of the period was used.
However, the ballads were not published with any music, and though they were quickly adapted to be sung, new musical settings were written; a musical setting by Walter Damrosch was described as "Teddy Roosevelt's favourite song", and is sometimes encountered on its own as a tune entitled They're Hanging Danny Deever In The Morning. To date, at least a dozen published recordings are known, made from 1893 to 1985.
The tune "They're Hanging Danny Deever in the Morning" was played from the Campanile at UC Berkeley at the end of the last day of classes for the Spring Semester of 1930, and has been repeated every year since, making it one of the oldest campus traditions.
Read more about this topic: Danny Deever
Famous quotes containing the word music:
“While the music is performed, the cameras linger savagely over the faces of the audience. What a bottomless chasm of vacuity they reveal! Those who flock round the Beatles, who scream themselves into hysteria, whose vacant faces flicker over the TV screen, are the least fortunate of their generation, the dull, the idle, the failures . . .”
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“Poetry
Exceeding music must take the place
Of empty heaven and its hymns....”
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“I’ve come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I’ve never got there.... I’m always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play every day.”
—Miles Davis (1926–1991)