Post World War 2 Career
After the war, Taradash attempted to find success on Broadway with an American version of Jean-Paul Sartre's Red Gloves, but the show folded quickly and he returned to Hollywood. He had more success as the co-writer (with John Monks Jr) of the Humphrey Bogart vehicle Knock on Any Door (1949). The Fritz Lang Western Rancho Notorious and the psychodrama Don't Bother to Knock (both 1952). Performers included Marlene Dietrich and Arthur Kennedy in the former, Richard Widmark and Marilyn Monroe in the latter. Taradash's adaptation of James Jones' massive novel From Here to Eternity (1953), was a big success and earned him an Oscar. It was directed by Fred Zinnemann. His subsequent film work was generally in adaptations, including Desiree (1954), about Napoleon and Josephine, Picnic (1955), from the William Inge play, and Bell, Book and Candle (1958), from John Van Druten's stage comedy.
In the mid-1950s, Taradash and Jules Blaustein formed Phoenix Corporation. He also tried his hand at directing with Storm Center (1956), about a librarian fighting censorship. Taradash and Zinnemann had planned to make two films from James Michener's massive novel Hawaii but were unable to raise the financing. (When George Roy Hill did make the film in 1965, he utilized Taradash's script with emendations by Dalton Trumbo.) By the 1970s, Taradash's efforts produced his final two scripts for the soap operas Doctors' Wives (1971) and The Other Side of Midnight (1977).
Taradash won the Oscar for Best Adapted Screenplay and the Writers Guild of America Award for Best Written American Drama for From Here to Eternity, and received a WGA nomination for Picnic.
Taradash died of pancreatic cancer in Los Angeles.
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