Daniel House - As Record Label Owner

As Record Label Owner

Daniel House purchased the rights and ownership of fledgling Seattle-based label C/Z Records from Chris Hanzsek in 1986. Initially House intended the label as a vehicle to release music by Skin Yard, his band at the time. Skin Yard’s only previously released material was on C/Z’s Deep Six compilation, and House wanted to maintain the ongoing sales efforts for the remaining LPs still in stock.

House continued to release records by other bands in the Seattle area, while working at a series of jobs, eventually working as Director of Sales and Distribution for Sub Pop Records in 1988. House left Sub Pop in 1991 in an effort to make C/Z a viable business. Over the next several years C/Z grew into a independent label with national recognition releasing material from 7 Year Bitch, Treepeople, Coffin Break, Engine Kid¸Hammerbox, Built to Spill, The Gits¸ Love Battery, Silkworm and Monks of Doom.

At its peak, C/Z employed 13 people and was a full-service label with distribution in North America, Europe and Australia. In 1993, C/Z entered into a production and distribution deal with Sony-owned RED Distribution. By 1994, that deal had drained C/Z of all its financial resources and effectively shut C/Z down, leaving House deep in debt. In 1996 the BMG-owned Zoo Entertainment partnered with C/Z for a third-party venture deal which helped to resolve the debt incurred during the RED Distribution deal. Zoo provided a modest operating and recording budget and assisted in the development of new artists.

That same year, House appeared in the 1996 grunge documentary Hype!, the footage of which had actually been shot in 1992-1993.

In 1997 Zoo was purchased and all third party ventures were dropped. C/Z would then be turned back to a part-time venture with House looking towards new opportunities that would still keep him involved in music. The shift would move him towards Internet-based music and entertainment ventures. In 1998, House began working in the music department at streaming media pioneer RealNetworks as an editor for their online content portal, the RealGuide.