Works
Casper's production as a poet, especially when considered together with his contemporaneous work as lawyer and diplomat, is astonishing. Extremely productive, he was above all known as an author of theatrical pieces marked by the well known French Classicism in drama and as - next to Andreas Gryphius - one of the most important dramatists of the baroque. In addition to this he was known as a poet and as a translator.
His novel "Großmütiger Feldherr Arminius", comprising around 3000 pages, appeared between 1689–90 and was a highpoint of baroque romantic art, despite concerns over the often obscure and overwrought language. In it he put up for discussion the situation of the German empire after the Thirty Years' War and tries to take stock of contemporary knowledge.
His lyric poetry was published in periodic periodicals (eLib Austria full texts).
He used exaggeration and distortion in his works to work out the contrast to the "better" reality, and they thus stand in the tradition of Senecan tragedy.
Daniel Caspar von Lohenstein in many of his writings showed his views on statescraft and the art of ruling, similar to "Christian Hoffmann von Hoffmannswaldau" on the topic.
Read more about this topic: Daniel Casper Von Lohenstein
Famous quotes containing the word works:
“Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.”
—Paul Valéry (1871–1945)
“In doing good, we are generally cold, and languid, and sluggish; and of all things afraid of being too much in the right. But the works of malice and injustice are quite in another style. They are finished with a bold, masterly hand; touched as they are with the spirit of those vehement passions that call forth all our energies, whenever we oppress and persecute..”
—Edmund Burke (1729–97)
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)