Composition
The date of composition was first drawn by the philosopher Porphyry of Tyros, a 3rd-century pagan and Neoplatonist, whose fifteen-volume work Against the Christians is only known to us through Jerome's reply. The identification of Antiochus Epiphanes in Daniel, however, is a much older interpretation which seems to be reflected, for example, in 1 Maccabees 1:54 (c100 BC), where an idol of Zeus set up upon the altar of burnt offering under Antiochus is referred to as an "abomination of desolation" (cf. Dan. 9:27, 11:31). This identification is made explicit in Josephus' exposition of Daniel chapter eight (Antiquities 10:11, c94 AD) where he almost certainly cites a common Jewish interpretative tradition by identifying the "little horn" as Antiochus. According to British historian Bryan Rennie, the conclusion that the Book of Daniel was written at the time of the profanation of the Temple by Antiochus IV would explain why the author is not very precise about 6th century events, why he is so precise about the time of Antiochus, and why he was never counted among the prophets. Scholars are virtually unanimous in regarding the Book of Daniel as a message of encouragement to those people suffering for their faith (hasidim) under the oppression of Antiochus IV Epiphanes.
Read more about this topic: Daniel 11
Famous quotes containing the word composition:
“It is my PRIDE, my damnd, native, unconquerable Pride, that plunges me into Distraction. You must know that 19-20th of my Composition is Pride. I must either live a Slave, a Servant; to have no Will of my own, no Sentiments of my own which I may freely declare as such;Mor DIEperplexing alternative!”
—Thomas Chatterton (17521770)
“At painful times, when composition is impossible and reading is not enough, grammars and dictionaries are excellent for distraction.”
—Elizabeth Barrett Browning (18061861)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)