Daniel 11 - Composition

Composition

The date of composition was first drawn by the philosopher Porphyry of Tyros, a 3rd-century pagan and Neoplatonist, whose fifteen-volume work Against the Christians is only known to us through Jerome's reply. The identification of Antiochus Epiphanes in Daniel, however, is a much older interpretation which seems to be reflected, for example, in 1 Maccabees 1:54 (c100 BC), where an idol of Zeus set up upon the altar of burnt offering under Antiochus is referred to as an "abomination of desolation" (cf. Dan. 9:27, 11:31). This identification is made explicit in Josephus' exposition of Daniel chapter eight (Antiquities 10:11, c94 AD) where he almost certainly cites a common Jewish interpretative tradition by identifying the "little horn" as Antiochus. According to British historian Bryan Rennie, the conclusion that the Book of Daniel was written at the time of the profanation of the Temple by Antiochus IV would explain why the author is not very precise about 6th century events, why he is so precise about the time of Antiochus, and why he was never counted among the prophets. Scholars are virtually unanimous in regarding the Book of Daniel as a message of encouragement to those people suffering for their faith (hasidim) under the oppression of Antiochus IV Epiphanes.

Read more about this topic:  Daniel 11

Famous quotes containing the word composition:

    Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.
    Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)

    It is my PRIDE, my damn’d, native, unconquerable Pride, that plunges me into Distraction. You must know that 19-20th of my Composition is Pride. I must either live a Slave, a Servant; to have no Will of my own, no Sentiments of my own which I may freely declare as such;Mor DIE—perplexing alternative!
    Thomas Chatterton (1752–1770)

    Those Dutchmen had hardly any imagination or fantasy, but their good taste and their scientific knowledge of composition were enormous.
    Vincent Van Gogh (1853–1890)