Plot
Veronica is an adventurous, curious, slightly tomboyish young woman in Venice. Her lover Marco (Rufus Sewell) cannot marry her because her family is not wealthy enough to provide a good dowry. Marco, a future Senator, marries a foreign noblewoman instead. Veronica's mother (Jacqueline Bisset) must think of the future and her family's financial security, as she still requires dowries for her younger daughters and money for her son's commission. Rather than go to a convent, Veronica's mother suggests she become a courtesan, a highly paid, cultured prostitute like her mother and grandmother before her. At first Veronica is repelled by the idea, but once she discovers that courtesans are allowed access to libraries and education, she tentatively embraces the idea.
Veronica quickly gains a reputation as a top courtesan, impressing the powerful men of Venice with her beauty, wit, and compassion. Marco finds it difficult to adjust to his new wife, who is nothing like Veronica, and becomes jealous as she takes his friends and relatives as lovers. After Marco's cousin Maffio, a poor bard who was once publicly upstaged by Veronica, attacks her, Marco rushes to her aid. They rekindle their romance. Marco wishes her to stop seeing clients and accept his support instead; she rejects the idea, unwilling to sacrifice her financial independence or accept a faux-wife status. Nevertheless she spends a great deal of time with Marco in the country, neglecting her business, and ignoring her mother's warnings that such a relationship is dangerous for her.
War breaks out between the Ottoman Empire and Venice, and the city appeals to France for aid. Veronica is encouraged to seduce the king of France and secures a military alliance. Marco accuses her of enjoying being a courtesan, seeming to think she ought to have rejected King Henry despite the risk to Venice's military and political alliances. Veronica points out that she sacrificed their love for the good of the city, while he only did it to protect his family's political standing, and Marco leaves for war angry. While the Venetians are fighting at sea, a plague hits the city. Religious zealots take the war and plague as punishment for the city's moral degradation, and Veronica's home is quarantined and almost ransacked by a mob.
Veronica is summoned to appear before the Inquisition on charges of witchcraft and refuses to name her clients. When it appears that she will be executed, Marco publicly shames the Venetian ministers and senators into standing. Bewildered by the extent of sin in the city, the Inquisitor drops the charges of witchcraft, and Marco and Veronica reconcile.
Read more about this topic: Dangerous Beauty
Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)