Dancing at the Edge of the World is a 1989 nonfiction collection by Ursula K. Le Guin.
The works are divided into two categories: talks and essays, and book and movie reviews. Within the categories, the works are organized chronologically, and are further marked by what Le Guin calls the Guide Ursuline -- a system of symbols denoting the main theme of the works. The four themes with which she categorizes the essays are feminism, social responsibility, literature and travel.
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Famous quotes containing the words the world, dancing, edge and/or world:
“I suppose that Paderewski can play superbly, if not quite at his best, while his thoughts wander to the other end of the world, or possibly busy themselves with a computation of the receipts as he gazes out across the auditorium. I know a great actor, a master technician, can let his thoughts play truant from the scene ...”
—Minnie Maddern Fiske (1865–1932)
“Come, let me sing into your ear;
Those dancing days are gone,
All that silk and satin gear;
Crouch upon a stone,
Wrapping that foul body up
In as foul a rag....”
—William Butler Yeats (1865–1939)
“The real risks for any artist are taken ... in pushing the work to the limits of what is possible, in the attempt to increase the sum of what it is possible to think. Books become good when they go to this edge and risk falling over it—when they endanger the artist by reason of what he has, or has not, artistically dared.”
—Salman Rushdie (b. 1947)
“I started off rapping for people just like myself, people who were in awe of wealth and flash. It was a conversation between me and them. But now most of those who buy my records are listening in on others’ conversation. They are the aural equivalent of voyeurs, thrilled at this crazy world that has nothing to do with their experience.”
—Ice-T [Tracy Marrow], U.S. rap musician. Observer (London, Oct. 27, 1991)