Dancing at the Edge of the World is a 1989 nonfiction collection by Ursula K. Le Guin.
The works are divided into two categories: talks and essays, and book and movie reviews. Within the categories, the works are organized chronologically, and are further marked by what Le Guin calls the Guide Ursuline -- a system of symbols denoting the main theme of the works. The four themes with which she categorizes the essays are feminism, social responsibility, literature and travel.
Read more about Dancing At The Edge Of The World: Awards and Honors
Famous quotes containing the words the world, dancing, edge and/or world:
“Cash-payment never was, or could except for a few years be, the union-bond of man to man. Cash never yet paid one man fully his deserts to another; nor could it, nor can it, now or henceforth to the end of the world.”
—Thomas Carlyle (1795–1881)
“Players, Sir! I look on them as no better than creatures set upon tables and joint stools to make faces and produce laughter, like dancing dogs.”
—Samuel Johnson (1709–1784)
“It is the star to every wand’ring bark,
Whose worth’s unknown, although his height be taken.
Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.”
—William Shakespeare (1564–1616)
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.