Dancing at the Edge of the World is a 1989 nonfiction collection by Ursula K. Le Guin.
The works are divided into two categories: talks and essays, and book and movie reviews. Within the categories, the works are organized chronologically, and are further marked by what Le Guin calls the Guide Ursuline -- a system of symbols denoting the main theme of the works. The four themes with which she categorizes the essays are feminism, social responsibility, literature and travel.
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Famous quotes containing the words the world, dancing, edge and/or world:
“Upon entering my vein, the drug would start a warm edge that would surge along until the brain consumed it in a gentle explosion. It began in the back of the neck and rose rapidly until I felt such pleasure that the world sympathizing took on a soft, lofty appeal.”
—Gus Van Sant, U.S. screenwriter and director, and Dan Yost. Bob Hughes (Matt Dillon)
“It may be possible to do without dancing entirely. Instances have been known of young people passing many, many months successively, without being at any ball of any description, and no material injury accrue either to body or mind; Mbut when a beginning is made—when felicities of rapid motion have once been, though slightly, felt—it must be a very heavy set that does not ask for more.”
—Jane Austen (1775–1817)
“Imprudence relies on luck, prudence on method. That gives prudence less edge than it expects.”
—Mason Cooley (b. 1927)
“The monk in hiding himself from the world becomes not less than himself, not less of a person, but more of a person, more truly and perfectly himself: for his personality and individuality are perfected in their true order, the spiritual, interior order, of union with God, the principle of all perfection.”
—Thomas Merton (1915–1968)