Dancing at the Edge of the World is a 1989 nonfiction collection by Ursula K. Le Guin.
The works are divided into two categories: talks and essays, and book and movie reviews. Within the categories, the works are organized chronologically, and are further marked by what Le Guin calls the Guide Ursuline -- a system of symbols denoting the main theme of the works. The four themes with which she categorizes the essays are feminism, social responsibility, literature and travel.
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Famous quotes containing the words the world, dancing, edge and/or world:
“The painter ... does not fit the paints to the world. He most certainly does not fit the world to himself. He fits himself to the paint. The self is the servant who bears the paintbox and its inherited contents.”
—Annie Dillard (b. 1945)
“I avoid talking before the youth of the age as I would dancing before them: for if one’s tongue don’t move in the steps of the day, and thinks to please by its old graces, it is only an object of ridicule.”
—Horace Walpole (1717–1797)
“The stroke of the whip maketh marks in the flesh: but the stroke of the tongue breaketh the bones. Many have fallen by the edge of the sword: but not so many as have fallen by the tongue.”
—Ecclesiasticus Apocrypha. Ecclesiasticus, 28:17-8.
“The idea that information can be stored in a changing world without an overwhelming depreciation of its value is false. It is scarcely less false than the more plausible claim that after a war we may take our existing weapons, fill their barrels with cylinder oil, and coat their outsides with sprayed rubber film, and let them statically await the next emergency.”
—Norbert Wiener (1894–1964)