The Dance Music Hall of Fame was created in 2003 when music industry veteran John Parker (Robbins Entertainment) thought that something needed to be done to honor the creators and innovators of dance music. He enlisted the help of Eddie O'Loughlin (Next Plateau Records) initially and then they brought Daniel Glass (Glassworks), Tom Silverman (Tommy Boy Records) & Brian Chin (noted dance music writer/historian) in to form the organization. The Dance Music Hall of Fame recognizes the contributions of those who have had a significant impact on the evolution and development of dance music and celebrates the history and significance of the genre.
Artists, Producers, Record, Remixer and DJs that helped to shape the dance music industry become eligible for induction 25 years after their first contribution or record release. Criteria include the influence and significance of the nominee's contributions to dance music.
The Dance Music Hall Of Fame Board of Advisers was composed of dance music professionals, historians and journalists. When the nominees were selected the ballots were sent to an international voting committee of over 1,000 dance music experts. An awards ceremony announcing the inductees in the Dance Music Hall Of Fame would take place annually at a formal dinner event in New York. Due to financial differences among the Board members, The Dance Music Hall of Fame ceased operations after its second ceremony in 2005.
2004 - Dance Music Hall of Fame (DMHoF) Board of Directors: Daniel Glass, Eddie O'Loughlin, John Parker, Tom Silverman.
2004 - Board of Advisers: Marty Angelo, John "Jellybean" Benitez, Joey Carvello, Mel Cheren, Michael Ellis, Dimitri from Paris, Tony Humphries, Frankie Knuckles, Jurgen Korduletsch, Brad LeBeau, John Luongo, Guy Moot, Michael Paoletta, Vince Pellegrino, Cory Robbins, Pete Tong, Cary Vance, Louie Vega, Pete Waterman, Judy Weinstein, Brian Chin.
Famous quotes containing the words dance, music, hall and/or fame:
“Navajo men and boys have an odd way of showing their friendship. When two young men meet at the trading post, a “Sing”, or a dance they greet each other, inquire about the health of their respective families, then stand silently some ten or fifteen minutes while one feels the other’s arms, shoulders, and chest.”
—Administration in the State of Ariz, U.S. public relief program (1935-1943)
“Words move, music moves
Only in time; but that which is only living
Can only die. Words, after speech, reach
Into the silence.”
—T.S. (Thomas Stearns)
“Let us not be too much acquainted. I would have a man enter his house through a hall filled with heroic and sacred sculptures, that he might not want the hint of tranquillity and self-poise.”
—Ralph Waldo Emerson (1803–1882)
“Fame sometimes hath created something out of nothing. She hath made whole countries more than nature ever did, especially near the poles, and then hath peopled them likewise with inhabitants of her own invention, pigmies, giants, and amazons: yea, fame is sometimes like unto a mushroom, which Pliny recounts to be the greatest miracle in nature, because growing and having no root, as fame no ground of her reports.”
—Thomas Fuller (1608–1661)