The Dance Music Hall of Fame was created in 2003 when music industry veteran John Parker (Robbins Entertainment) thought that something needed to be done to honor the creators and innovators of dance music. He enlisted the help of Eddie O'Loughlin (Next Plateau Records) initially and then they brought Daniel Glass (Glassworks), Tom Silverman (Tommy Boy Records) & Brian Chin (noted dance music writer/historian) in to form the organization. The Dance Music Hall of Fame recognizes the contributions of those who have had a significant impact on the evolution and development of dance music and celebrates the history and significance of the genre.
Artists, Producers, Record, Remixer and DJs that helped to shape the dance music industry become eligible for induction 25 years after their first contribution or record release. Criteria include the influence and significance of the nominee's contributions to dance music.
The Dance Music Hall Of Fame Board of Advisers was composed of dance music professionals, historians and journalists. When the nominees were selected the ballots were sent to an international voting committee of over 1,000 dance music experts. An awards ceremony announcing the inductees in the Dance Music Hall Of Fame would take place annually at a formal dinner event in New York. Due to financial differences among the Board members, The Dance Music Hall of Fame ceased operations after its second ceremony in 2005.
2004 - Dance Music Hall of Fame (DMHoF) Board of Directors: Daniel Glass, Eddie O'Loughlin, John Parker, Tom Silverman.
2004 - Board of Advisers: Marty Angelo, John "Jellybean" Benitez, Joey Carvello, Mel Cheren, Michael Ellis, Dimitri from Paris, Tony Humphries, Frankie Knuckles, Jurgen Korduletsch, Brad LeBeau, John Luongo, Guy Moot, Michael Paoletta, Vince Pellegrino, Cory Robbins, Pete Tong, Cary Vance, Louie Vega, Pete Waterman, Judy Weinstein, Brian Chin.
Famous quotes containing the words dance, music, hall and/or fame:
“When my old wife lived, upon
This day she was both pantler, butler, cook,
Both dame and servant, welcomed all, served all,
Would sing her song and dance her turn, now here
At upper end o’the table, now i’the middle,
On his shoulder, and his, her face afire
With labor, and the thing she took to quench it
She would to each one sip.”
—William Shakespeare (1564–1616)
“The average educated man in America has about as much knowledge of what a political idea is as he has of the principles of counterpoint. Each is a thing used in politics or music which those fellows who practise politics or music manipulate somehow. Show him one and he will deny that it is politics at all. It must be corrupt or he will not recognize it. He has only seen dried figs. He has only thought dried thoughts. A live thought or a real idea is against the rules of his mind.”
—John Jay Chapman (1862–1933)
“I may be able to spot arrowheads on the desert but a refrigerator is a jungle in which I am easily lost. My wife, however, will unerringly point out that the cheese or the leftover roast is hiding right in front of my eyes. Hundreds of such experiences convince me that men and women often inhabit quite different visual worlds. These are differences which cannot be attributed to variations in visual acuity. Man and women simply have learned to use their eyes in very different ways.”
—Edward T. Hall (b. 1914)
“To anybody who can hold the Present at its worth without being inappreciative of the Past, it may be forgiven, if to such an one the solitary old hulk at Portsmouth, Nelson’s Victory, seems to float there, not alone as the decaying monument of a fame incorruptible, but also as a poetic approach, softened by its picturesqueness, to the Monitors and yet mightier hulls of the European ironclads.”
—Herman Melville (1819–1891)