African American Dance
Main article: African American dance See also: Lindy hop and Hip hop danceAfrican American dances are those vernacular dances which have developed within African American communities in everyday spaces, rather than in dance studios, schools or companies. African American vernacular dances are usually centered on social dance practice, though performance dance and concert dance often supply complementary aspects to social dancing.
Placing great value on improvisation, African American vernacular dances are characterised by ongoing change and development. Because they exist in social spaces and their main 'purpose' is self-expression, they are continually changing to reflect the needs, interests and personalities of their participants.
Alvin Ailey and the Alvin Ailey American Dance Theater is an important example of African American involvement in performance or concert dance.
Read more about this topic: Dance In The United States
Famous quotes containing the words african american, african, american and/or dance:
“I’ve never been afraid to step out and to reach out and to move out in order to make things happen.”
—Victoria Gray, African American civil rights activist. As quoted in This Little Light of Mine, ch. 3, by Hay Mills (1993)
“Kitsch ... is one of the major categories of the modern object. Knick-knacks, rustic odds-and-ends, souvenirs, lampshades, and African masks: the kitsch-object is collectively this whole plethora of “trashy,” sham or faked objects, this whole museum of junk which proliferates everywhere.... Kitsch is the equivalent to the “cliché” in discourse.”
—Jean Baudrillard (b. 1929)
“The Oregon [matter] and the annexation of Texas are now all- important to the security and future peace and prosperity of our union, and I hope there are a sufficient number of pure American democrats to carry into effect the annexation of Texas and [extension of] our laws over Oregon. No temporizing policy or all is lost.”
—Andrew Jackson (1767–1845)
“The things a man has to have are hope and confidence in himself against odds, and sometimes he needs somebody, his pal or his mother or his wife or God, to give him that confidence. He’s got to have some inner standards worth fighting for or there won’t be any way to bring him into conflict. And he must be ready to choose death before dishonor without making too much song and dance about it. That’s all there is to it.”
—Clark Gable (1901–1960)