Comic Strip
Later in 1933, Dan Dunn made his newspaper debut in the Dan Dunn comic strip for Publishers Syndicate. He eventually appeared in Big Little Books, which are probably the most readily available source of the character's adventures for modern readers. In 1936, Dan Dunn became the title character of a pulp magazine that lasted for two issues. As noted by comics historian Don Markstein, the square-jawed Detective Dunn was a knock-off of Dick Tracy, blowing away evil criminals with the same no-nonsense resort to violence that fans liked seeing during an era of urban crime gangs. In newspapers, however, Dunn never approached Tracy's popularity.
Marsh both drew and wrote Dan Dunn, and many consider its artwork to be its weaker side. Phelps goes so far as to describe it as "arid," "presented a chronic, wintry aspect," with "cavernous spaces" and "huddled, stiff-jointed postures." However, other early crime strips (including the initial Dick Tracy, as Phelps concedes) also look primitive today compared to the photorealist standards of later adventure comics.
Read more about this topic: Dan Dunn
Famous quotes containing the words comic strip, comic and/or strip:
“Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.”
—C. Wright Mills (1916–62)
“Do you see that kitten chasing so prettily her own tail? If you could look with her eyes, you might see her surrounded with hundreds of figures performing complex dramas, with tragic and comic issues, long conversations, many characters, many ups and downs of fate,—and meantime it is only puss and her tail.”
—Ralph Waldo Emerson (1803–1882)
“Perfect present has no existence in our consciousness. As I said years ago in Erewhon, it lives but upon the sufferance of past and future. We are like men standing on a narrow footbridge over a railway. We can watch the future hurrying like an express train towards us, and then hurrying into the past, but in the narrow strip of present we cannot see it. Strange that that which is the most essential to our consciousness should be exactly that of which we are least definitely conscious.”
—Samuel Butler (1835–1902)