Dallas Museum of Art - Collection Highlights: Paintings and Sculpture

Collection Highlights: Paintings and Sculpture

  • Francesco Bacchiacca, Madonna and Child with St John, 1525

  • Jean-Baptiste Marie Pierre, The Abduction of Europa, 1750

  • Jacques-Louis David, Apollo and Artemis attacking the twelve children of Niobe, 1772

  • Jean-Antoine-Théodore Giroust, Oedipus at Colonus, 1788

  • Thomas Cole, The Fountain of Vaucluse, 1841

  • Antoine-Louis Barye, Tiger Surprising an Antelope, 1857

  • Pierre-Auguste Renoir, Lise Sewing, 1866

  • Edouard Manet, Isabelle Lemonnier with a Muff, 1879

  • Paul Cézanne, Still Life with Carafe, Milk Can, Bowl, and Orange, 1879-80

  • Berthe Morisot, Winter (Woman with a Muff), 1880

  • Claude Monet, The Seine at Lavacourt, 1880

  • Édouard Manet, The Bugler, 1882

  • Edgar Degas, Ballet Dancers on the Stage, 1883

  • Edward Burne-Jones, The Pilgrim at the Gate of Idleness, 1884

  • Paul Gauguin, I Raro te Oviri, 1891

  • Henri Toulouse-Lautrec, Prostitutes, 1893-1895

  • Felix Vallotton, The Laundress, Blue Room, 1900

  • John Singer Sargent, Dorothy, 1900

  • Paul Cézanne, Still Life with Apples, a Bottle and a Milk Pot, 1900-06

  • Edouard Vuillard, Interior, 1902

  • Claude Monet, Water Lilies, 1908

  • Juan Gris, Guitar and Pipe, 1913

  • George Bellows, Emma in a Purple Dress, 1920-23

  • Willard Metcalf, Indian Summer, Vermont, 1922

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Famous quotes containing the words collection, paintings and/or sculpture:

    “We’ll never know the worth of water till the well go dry.”
    —18th-century Scottish proverb, collected in James Kelly, Complete Collection of Scottish Proverbs, no. 351 (1721)

    “All photographs are there to remind us of what we forget. In this—as in other ways—they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.”
    —John Berger (b. 1926)

    “I look on Sculpture as history. I do not think the Apollo and the Jove impossible in flesh and blood. Every trait the artist recorded in stone, he had seen in life, and better than his copy.”
    —Ralph Waldo Emerson (1803–1882)