Work
The book Man Made Language (1980) is based on Spender’s PhD research. Her argument is that in patriarchal societies men control language and it works in their favour. “Language helps form the limits of our reality. It is our means of ordering, classifying and manipulating the world” (1980:3). Where men perceive themselves as the dominant gender, disobedient women who fail to conform to their given inferior role are labelled as abnormal, promiscuous, neurotic or frigid. Spender draws parallels with how derogatory terms are used to maintain racism (1980:6). Man Made Language illustrates how linguistic determinism interconnects with economic determinism to oppress women in society and provides a wide breadth of analysis to do this. The book explores the assumed deficiencies of women, silencing, intimidation and the politics of naming.
In 1991, Spender published a literary spoof, The Diary of Elizabeth Pepys (1991 Grafton Books, London). Purportedly written by Elisabeth, the wife of Samuel Pepys, the book is a feminist critique of women's lives in 17th Century London.
Spender is co-originator of the database WIKED (Women's International Knowledge Encyclopedia and Data) and founding editor of the Athene Series and Pandora Press, commissioning editor of the Penguin Australian Women's Library, and associate editor of the Great Women Series (United Kingdom).
Today Spender is particularly concerned with intellectual property and the effects of new technologies: in her terms, the prospects for "new wealth" and "new learning". For nine years she was a director of Copyright Agency Limited (CAL) in Australia and for two years (2002–2004) she was the chair. She is also involved with the Second Chance Programme, which tackles homelessness among women in Australia.
Read more about this topic: Dale Spender
Famous quotes containing the word work:
“It is fair to assume that when women in the past have achieved even a second or third place in the ranks of genius they have shown far more native ability than men have needed to reach the same eminence. Not excused from the more general duties that constitute the cement of society, most women of talent have had but one hand free with which to work out their ideal conceptions.”
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