Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
Dahlia is generally positively received. Alexey Eremenko of Allmusic said that "despite being a heavy metal act at heart, X Japan was always a deceptively diverse band, and this trait is in full bloom on Dahlia", and it "made sense for the members to go their separate ways" because "the group sounds tighter than ever -- but the music is really wide-ranging." The album begins with two "classic metal ballbreakers", but "Scars", and "Drain", sound like hide's subsequent "experiments with industrial rock than a proper speed metal hit". Besides "plenty full-on piano-and-strings ballads" it also has a "U2-like speedy ditty, some semi-psychedelic experiments (the quite catchy "White Poem I")", and "a ten-minute epic that puts "November Rain" to shame with its turgid bombast". The album is "drenched in the '80s", "embracing all the genuine traits of '80s rock without discrimination, be it melodrama, classic heavy metal shredding, left-field guitar excursions, neo-classical leanings, or more melodrama". Eremenko, who gave the album a three and a half out of five stars rating, praises the album because what "should have been a recipe for disaster turned out to be a testament to the band's songwriting skills and simply a formidable album", and concluded with though "Dahlia is kitschy and sappy", it's proof "that X Japan split because they were bursting with creativity not running out of ideas."
Read more about this topic: Dahlia (album)
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)