Television
In 1950, when Lewis was hired by Jerry Lester for NBC's first late-night show Broadway Open House (1950–52), he renamed her Dagmar. Lester devised the name as a satirical reference following the huge success on television of the TV series Mama (1949–57), in which the younger sister, Dagmar Hansen, was portrayed by Robin Morgan. As Dagmar, Lewis was instructed to wear a low-cut gown, sit on a stool and play the role of a stereotypical dumb blonde. With tight sweaters displaying her curvy 5' 8" figure (measuring 42"-23"-39"), her dim-bulb character was an immediate success, soon attracting much more attention than Lester. Lewis quickly showed that regardless of appearances she was quite bright and quick-witted. She appeared in sketches, and Lester made occasional jokes about her "hidden talents." Her appearances created a sensation, leading to much press coverage and a salary increase from $75 to $1,250. With Dagmar getting all the attention, Lester walked off his own show in May 1951, and Dagmar carried on as host. On July 16, 1951, she was featured on the front cover of Life, and the show came to an end one month later.
Dagmar became one of the leading personalities of early 1950s live television, doing sketch comedy on Milton Berle's Texaco Star Theater, The Bob Hope Show and other shows. On June 17, 1951, she appeared on the Colgate Comedy Hour with host Eddie Cantor and guests Milton Berle, Phil Foster and Jack Leonard. In 1951, she made a TV guest appearance with Frank Sinatra, which prompted Columbia Records producer Mitch Miller to record a novelty duet with Frank and Dagmar, "Mama Will Bark". That same year, she was featured in a Life cover story with Alfred Eisenstaedt's photo of her on the July 16, 1951 issue. For the interior photo essay, Life photographers followed her to rehearsals and accompanied her on a vacation back to her home town in West Virginia.
In 1952, she hosted the short-lived, prime time Dagmar's Canteen, in which she sang, danced, interviewed servicemen and performed comedy routines. The basic premise of the show was that servicemen from the audience were given roles to act alongside Dagmar in sketches. One of Dagmar's sisters, Jean, was a member of the cast of Dagmar's Canteen. Jean, who had previously worked as a chorus girl on Broadway, also served as Dagmar's secretary, handling her sister's fan mail, which sometimes soared to 8000 letters a month. When her television show ended, Dagmar performed in Las Vegas shows and summer stock theater. Liberace spoke glowingly of her in an interview, stating that she had given him his big break as her accompanist early in his career. In the 1950s, Dagmar was a regular panelist on the NBC game show, Who Said That?, along with H. V. Kaltenborn, Deems Taylor, Frank Conniff, Peggy Ann Garner, and Boris Karloff. She occasionally made guest appearances on such shows as What's My Line?, The Mike Wallace Interview and Masquerade Party (disguised as John L. Lewis) and during the 1960s she appeared on Hollywood Squares, The Mike Douglas Show and other shows.
Read more about this topic: Dagmar (American Actress)
Famous quotes containing the word television:
“They [parents] can help the children work out schedules for homework, play, and television that minimize the conflicts involved in what to do first. They can offer moral support and encouragement to persist, to try again, to struggle for understanding and mastery. And they can share a child’s pleasure in mastery and accomplishment. But they must not do the job for the children.”
—Dorothy H. Cohen (20th century)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)
“It is not heroin or cocaine that makes one an addict, it is the need to escape from a harsh reality. There are more television addicts, more baseball and football addicts, more movie addicts, and certainly more alcohol addicts in this country than there are narcotics addicts.”
—Shirley Chisholm (b. 1924)