Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Robert Christgau | |
| Rolling Stone | |
- Rolling Stone - 3.5 Stars - Good - "…half of III bumps with a new and improved Cypress Hill sound that marks producer Muggs' progress.… For all the rude immediacy of its rhymes, III is an album of many musical hues…Cypress Hill still wield an intoxicating power that's all their own…"
- Q - 4 Stars - Excellent - "The production is sophisticated, incorporating Indian sitar and sloping, almost psychedelic bass grooves to create a vaguely threatening ambient hardcore."
- Melody Maker - Bloody Essential - "…resonates with freakish cheese-wire paranoia…a gobsmacking paradox of expansive claustrophobia.… The funk patters like an erratic heartbeat, the voices are stretched to bursting with menace and loathing and mockery…"
- Rap Pages - 7 (out of 10) - "B-Real spits out lyric after lyric lambasting critics, ex-homies and anyone else not down with his familia.… Some of the record might sound familiar, but, hey, that's the Cypress sound."
- NME - 7 (out of 10) - "At its most powerful, tuneful, sarcastic and entertaining, it's sneering '90s hip-hop.… In the weeks of the OJ fall-out and the Nation Of Islam Million Man March, Cypress Hill have made the album which reflects US and, therefore, global paranoia with spookily apt timing."
Read more about this topic: Cypress Hill III: Temples Of Boom
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
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“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
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“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)