Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Robert Christgau | |
| Rolling Stone | |
- Rolling Stone - 3.5 Stars - Good - "…half of III bumps with a new and improved Cypress Hill sound that marks producer Muggs' progress.… For all the rude immediacy of its rhymes, III is an album of many musical hues…Cypress Hill still wield an intoxicating power that's all their own…"
- Q - 4 Stars - Excellent - "The production is sophisticated, incorporating Indian sitar and sloping, almost psychedelic bass grooves to create a vaguely threatening ambient hardcore."
- Melody Maker - Bloody Essential - "…resonates with freakish cheese-wire paranoia…a gobsmacking paradox of expansive claustrophobia.… The funk patters like an erratic heartbeat, the voices are stretched to bursting with menace and loathing and mockery…"
- Rap Pages - 7 (out of 10) - "B-Real spits out lyric after lyric lambasting critics, ex-homies and anyone else not down with his familia.… Some of the record might sound familiar, but, hey, that's the Cypress sound."
- NME - 7 (out of 10) - "At its most powerful, tuneful, sarcastic and entertaining, it's sneering '90s hip-hop.… In the weeks of the OJ fall-out and the Nation Of Islam Million Man March, Cypress Hill have made the album which reflects US and, therefore, global paranoia with spookily apt timing."
Read more about this topic: Cypress Hill III: Temples Of Boom
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)