Architectural Character
The theatre reflects the architectural style popular in the inter-war period, using nautical motifs such as wavy lines, smooth flat curves and tubular handrails, with an architectural emphasis on both the horizontal and vertical aspects of the building.
The Cygnet Cinema is an example of the Inter-War Functionalist style. Characteristics of this style are the asymmetrical massing of smooth geometric elements, and emphasis on exterior form reflecting internal function. The prominent central tower housed the ‘bio box’, which serviced both the indoor auditorium and the outdoor picture garden. Film canisters were hauled up to the ‘bio box’ balcony from the street. The tower extends out in a fashionable streamlined curve and features a cantilevered balcony with steel railings, resembling the form of a modern ocean liner. The ‘liner’ theme is reinforced by the three ‘port hole’ windows on the exterior of the building. The stylistic influence of Le Corbusier, a functional Modernist architect, is evident in these forms and detail.
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“The image cannot be dispossessed of a primordial freshness, which idea can never claim. An idea is derivative and tamed. The image is in the natural or wild state, and it has to be discovered there, not put there, obeying its own law and none of ours. We think we can lay hold of image and take it captive, but the docile captive is not the real image but only the idea, which is the image with its character beaten out of it.”
—John Crowe Ransom (1888–1974)