Architectural Character
The theatre reflects the architectural style popular in the inter-war period, using nautical motifs such as wavy lines, smooth flat curves and tubular handrails, with an architectural emphasis on both the horizontal and vertical aspects of the building.
The Cygnet Cinema is an example of the Inter-War Functionalist style. Characteristics of this style are the asymmetrical massing of smooth geometric elements, and emphasis on exterior form reflecting internal function. The prominent central tower housed the ‘bio box’, which serviced both the indoor auditorium and the outdoor picture garden. Film canisters were hauled up to the ‘bio box’ balcony from the street. The tower extends out in a fashionable streamlined curve and features a cantilevered balcony with steel railings, resembling the form of a modern ocean liner. The ‘liner’ theme is reinforced by the three ‘port hole’ windows on the exterior of the building. The stylistic influence of Le Corbusier, a functional Modernist architect, is evident in these forms and detail.
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Famous quotes containing the word character:
“An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
—Eleanor Robson Belmont (1878–1979)