Stage, Film and Television Credits
- Member of the Laurence Olivier Festival of Britain Company, London and New York (1951)
- Man From The Sun (TV, 1956)
- Sea Wife (1957) – "Number 4"
- Home of the Brave (TV, 1957)
- Tonight (TV, 1957-60)
- Calypso (1958)
- The Encyclopædist (TV, 1961)
- Freedom Road: Songs of Negro Protest (TV, 1964)
- Othello – Othello (Phoenix Theatre, Leicester, 1965)
- Cindy Ella (Garrick Theatre, London, 1966)
- Captain Scarlet and the Mysterons – Lieutenant Green (TV, 1967-68)
- The Persuaders! (TV, one episode, 1971)
- Shaft in Africa (1973) – Emir Ramila
- Softly, Softly: Taskforce (TV, one episode, 1974)
- The Iceman Cometh (Royal Shakespeare Company, 1976)
- At the Earth's Core (1976) – Ra
- Return to My Native Land (Royal National Theatre and Royal Court Theatre; national tour; 1977-79)
- Blake's 7 (TV, 1980)
- Night and Day (Derby Theatre, 1981)
- Metal Mickey (TV, 1981-82) – Mr Young
- Maskarade (Cochrane Theatre, London, 1994)
Read more about this topic: Cy Grant
Famous quotes containing the words film and/or television:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)