Cutter's Way - Reaction

Reaction

United Artists did not like the ambiguity in what was then titled Cutter and Bone. When U.A. executives David Field and Claire Townsend, the film's biggest supporters, left for 20th Century Fox, the studio felt that they would get no credit if the film succeeded and no responsibility if it failed and so there was no interest in it. Cutter and Bone became a victim of internal politics. U.A. senior domestic sales and marketing vice president Jerry Esbin saw the film and decided that it did not have any commercial possibilities. Passer did not see his film with a paying audience until the Houston International Film Festival many weeks later. He said in an interview, "They didn't do any research. I was supposed to have two previews with a paying audience. It was in my contract."

United Artists spent a meager $63,000 on promotion for the film's release in New York City, New York, in late March 1981. There all three daily papers and the three major network critics gave Cutter and Bone negative reviews. Vincent Canby in The New York Times wrote, "t's the sort of picture that never wants to concede what it's about. It is, however, enchanted by the sound of its own dialogue, which is vivid without being informative or even amusing on any level." The studio was so shocked by the negative reviews that it planned to pull the film after only a week. Unbeknownst to them, the next week Richard Schickel in Time, David Ansen in Newsweek, and New York City's weekly newspapers would write glowing reviews. Ansen wrote, "Under Passer's sensitive direction, Heard gives his best film performance: he's funny and abrasive and mad, but you see the self-awareness eating him up inside."

The positive reviews prompted United Artists to give Cutter and Bone to its United Artists Classics division, whch changed the film's title to Cutter's Way (thinking that the original title would be mistaken by audiences for a comedy about surgeons) and entered it into a number of film festivals. At Houston, Texas' Third International Film Festival it won Best Picture, Best Director, Best Screenplay, and Best Actor (John Heard). A week later, it was given the closing feature slot at the Seattle International Film Festival. With a new ad campaign, Cutter's Way reopened in the summer of 1981 in Seattle, Washington; Los Angeles, California; Boston, Massachusetts; and New York City, New York. Passer was bitter about the experience, commenting in an interview, "You can assassinate movies as you can assassinate people. I think UA murdered the film. Or at least they tried to murder it."

In 1982, Fiskin won an Edgar Award from the Mystery Writers of America for Best Motion Picture Screenplay.