History
The cutaway view and the exploded view were minor graphic inventions of the Renaissance that also clarified pictorial representation. This cutaway view originates in the early fifteenth century notebooks of Marino Taccola (1382 – 1453). In the 16th century cutaway views in definite form were used in Georgius Agricola's (1494-1555) mining book De Re Metallica to illustrate underground operations. The 1556 book is a complete and systematic treatise on mining and extractive metallurgy, illustrated with many fine and interesting woodcuts which illustrate every conceivable process to extract ores from the ground and metal from the ore, and more besides. It shows the many watermills used in mining, such as the machine for lifting men and material into and out of a mine shaft, see image.
The term "Cutaway drawing" was already in use in the 19th century but, became popular in the 1930s.
Read more about this topic: Cutaway Drawing
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“The foregoing generations beheld God and nature face to face; we, through their eyes. Why should not we also enjoy an original relation to the universe? Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of theirs?”
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