Music
Traditional music (known in Bislama as kastom singsing or kastom tanis) is still thriving in the rural areas of Vanuatu. Musical instruments consist mostly of idiophones: drums of various shape and size, slit gongs, as well as rattles, among others. In various regions, aerophones, such as whistles or bamboo flutes, are used to be played; membranophones and chordophone were also found in some areas, but have fallen into disuse during colonial times. The large slit gongs which symbolize Vanuatu belong to these traditional instruments; they were most often used as musical drums to accompany certain dances, but also sometimes – though seldom – as a ritual means of communication; although widespread throughout Vanuatu, they are used vertically only in central areas of the archipelago (mainly on Ambrym). Traditional music is actually a very general cover term encompassing a wide and complex variety of musical genres known by every local community – in a way very similar to the vague term classical music of Western societies.
Another musical genre that has become widely popular during the 20th century in all areas of Vanuatu, is known as string band music. It combines guitars, ukulele, and popular songs.
More recently the music of Vanuatu, as an industry, grew rapidly in the 1990s and several bands have forged a distinctive ni-Vanuatu identity. Popular genres of modern commercial music, which are currently being played in town include zouk music and reggaeton. Reggaeton, a variation of hip-hop rapped in Spanish, played alongside its own distinctive beat, is especially played in the local nightclubs of Vanuatu with mostly an audience of Westerners and tourists.
Read more about this topic: Culture Of Vanuatu
Famous quotes containing the word music:
“See where my Love sits in the beds of spices,
Beset all round with camphor, myrrh, and roses,
And interlaced with curious devices
Which her apart from all the world incloses!
There doth she tune her lute for her delight,
And with sweet music makes the ground to move,
Whilst I, poor I, do sit in heavy plight,
Wailing alone my unrespected love;”
—Bartholomew Griffin (d. 1602)
“I think sometimes, could I only have music on my own terms; could I live in a great city and know where I could go whenever I wished the ablution and inundation of musical waves,—that were a bath and a medicine.”
—Ralph Waldo Emerson (1803–1882)
“I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the world—so that the moment of intense turning seems still and universal—all are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.”
—Muriel Rukeyser (1913–1980)