The Culture of the Southern United States, or Southern Culture, is a subculture of the United States that is perhaps America's most distinct, in the minds both of its residents and of those in other parts of the country. The combination of its unique history and the fact that many Southerners maintain—and even nurture—an identity separate from the rest of the country has led to its being the most studied and written about region of the United States.
"More than any other part of America, the South stands apart. Thousands of Northerners and foreigners have migrated to it...but Southerners they will not become. For this is still a place where you must have either been born or have 'people' there, to feel it is your native ground. "Natives will tell you this. They are proud to be Americans, but they are also proud to be Virginians, South Carolinians, Tennesseeans, Mississippians and Texans. But they are conscious of another loyalty too, one that transcends the usual ties of national patriotism and state pride. It is a loyalty to a place where habits are strong and memories are long. If those memories could speak, they would tell stories of a region powerfully shaped by its history and determined to pass it on to future generations."
— Tim Jacobson, Heritage of the South
Southern culture has been and remains generally more socially conservative than that of the rest of the country. Because of the central role of agriculture in the antebellum economy, society remained stratified according to land ownership, and communities often developed strong attachment to their churches as the primary community institution.
From its many cultural influences, the South developed its own unique customs, literature, cuisine and musical styles (such as country music, bluegrass, rockabilly, southern gospel, jazz, blues and rock and roll).
Read more about Culture Of The Southern United States: People, Religion, Southern Dialect, Regional Variations, Cuisine, Literature, Music, Sports, Film, Television, Popular Images of Southerners, Art
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“Places where he might live and die and never hear of the United States, which make such a noise in the world,—never hear of America, so called from the name of a European gentleman.”
—Henry David Thoreau (1817–1862)
“To be a Negro is to participate in a culture of poverty and fear that goes far deeper than any law for or against discrimination.... After the racist statutes are all struck down, after legal equality has been achieved in the schools and in the courts, there remains the profound institutionalized and abiding wrong that white America has worked on the Negro for so long.”
—Michael Harrington (1928–1989)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)
“My mother bore me in the southern wild,
And I am black, but O! my soul is white;”
—William Blake (1757–1827)
“The United Nations cannot do anything, and never could; it is not an animate entity or agent. It is a place, a stage, a forum and a shrine ... a place to which powerful people can repair when they are fearful about the course on which their own rhetoric seems to be propelling them.”
—Conor Cruise O’Brien (b. 1917)
“I asked myself, “Is it going to prevent me from getting out of here? Is there a risk of death attached to it? Is it permanently disabling? Is it permanently disfiguring? Lastly, is it excruciating?” If it doesn’t fit one of those five categories, then it isn’t important.”
—Rhonda Cornum, United States Army Major. As quoted in Newsweek magazine, “Perspectives” page (July 13, 1992)