The Culture of the Southern United States, or Southern Culture, is a subculture of the United States that is perhaps America's most distinct, in the minds both of its residents and of those in other parts of the country. The combination of its unique history and the fact that many Southerners maintain—and even nurture—an identity separate from the rest of the country has led to its being the most studied and written about region of the United States.
"More than any other part of America, the South stands apart. Thousands of Northerners and foreigners have migrated to it...but Southerners they will not become. For this is still a place where you must have either been born or have 'people' there, to feel it is your native ground. "Natives will tell you this. They are proud to be Americans, but they are also proud to be Virginians, South Carolinians, Tennesseeans, Mississippians and Texans. But they are conscious of another loyalty too, one that transcends the usual ties of national patriotism and state pride. It is a loyalty to a place where habits are strong and memories are long. If those memories could speak, they would tell stories of a region powerfully shaped by its history and determined to pass it on to future generations."
— Tim Jacobson, Heritage of the South
Southern culture has been and remains generally more socially conservative than that of the rest of the country. Because of the central role of agriculture in the antebellum economy, society remained stratified according to land ownership, and communities often developed strong attachment to their churches as the primary community institution.
From its many cultural influences, the South developed its own unique customs, literature, cuisine and musical styles (such as country music, bluegrass, rockabilly, southern gospel, jazz, blues and rock and roll).
Read more about Culture Of The Southern United States: People, Religion, Southern Dialect, Regional Variations, Cuisine, Literature, Music, Sports, Film, Television, Popular Images of Southerners, Art
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“When Mr. Apollinax visited the United States
His laughter tinkled among the teacups.
I thought of Fragilion, that shy figure among the birch-trees,
And of Priapus in the shrubbery
Gaping at the lady in the swing.”
—T.S. (Thomas Stearns)
“Unthinking people will often try to teach you how to do the things which you can do better than you can be taught to do them. If you are sure of all this, you can start to add to your value as a mother by learning the things that can be taught, for the best of our civilization and culture offers much that is of value, if you can take it without loss of what comes to you naturally.”
—D.W. Winnicott (20th century)
“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
—Christopher Lasch (b. 1932)
“I think those Southern writers [William Faulkner, Carson McCullers] have analyzed very carefully the buildup in the South of a special consciousness brought about by the self- condemnation resulting from slavery, the humiliation following the War Between the States and the hope, sometimes expressed timidly, for redemption.”
—Jimmy Carter (James Earl Carter, Jr.)
“... the yearly expenses of the existing religious system ... exceed in these United States twenty millions of dollars. Twenty millions! For teaching what? Things unseen and causes unknown!... Twenty millions would more than suffice to make us wise; and alas! do they not more than suffice to make us foolish?”
—Frances Wright (1795–1852)
“I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the world—so that the moment of intense turning seems still and universal—all are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.”
—Muriel Rukeyser (1913–1980)