Culture of The Southern United States

The Culture of the Southern United States, or Southern Culture, is a subculture of the United States that is perhaps America's most distinct, in the minds both of its residents and of those in other parts of the country. The combination of its unique history and the fact that many Southerners maintain—and even nurture—an identity separate from the rest of the country has led to its being the most studied and written about region of the United States.

"More than any other part of America, the South stands apart. Thousands of Northerners and foreigners have migrated to it...but Southerners they will not become. For this is still a place where you must have either been born or have 'people' there, to feel it is your native ground. "Natives will tell you this. They are proud to be Americans, but they are also proud to be Virginians, South Carolinians, Tennesseeans, Mississippians and Texans. But they are conscious of another loyalty too, one that transcends the usual ties of national patriotism and state pride. It is a loyalty to a place where habits are strong and memories are long. If those memories could speak, they would tell stories of a region powerfully shaped by its history and determined to pass it on to future generations."

Tim Jacobson, Heritage of the South

Southern culture has been and remains generally more socially conservative than that of the rest of the country. Because of the central role of agriculture in the antebellum economy, society remained stratified according to land ownership, and communities often developed strong attachment to their churches as the primary community institution.

From its many cultural influences, the South developed its own unique customs, literature, cuisine and musical styles (such as country music, bluegrass, rockabilly, southern gospel, jazz, blues and rock and roll).

Read more about Culture Of The Southern United States:  People, Religion, Southern Dialect, Regional Variations, Cuisine, Literature, Music, Sports, Film, Television, Popular Images of Southerners, Art

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    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
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    As the end of the century approaches, all our culture is like the culture of flies at the beginning of winter. Having lost their agility, dreamy and demented, they turn slowly about the window in the first icy mists of morning. They give themselves a last wash and brush-up, their ocellated eyes roll, and they fall down the curtains.
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    ... there are some who, believing that all is for the best in the best of possible worlds, and that to-morrow is necessarily better than to-day, may think that if culture is a good thing we shall infallibly be found to have more of it that we had a generation since; and that if we can be shown not to have more of it, it can be shown not to be worth seeking.
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    If the study of his images
    Is the study of man, this image of Saturday,
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    The line that I am urging as today’s conventional wisdom is not a denial of consciousness. It is often called, with more reason, a repudiation of mind. It is indeed a repudiation of mind as a second substance, over and above body. It can be described less harshly as an identification of mind with some of the faculties, states, and activities of the body. Mental states and events are a special subclass of the states and events of the human or animal body.
    Willard Van Orman Quine (b. 1908)