Music
Prior to the 15th century, little can be determined about the character of music on the Isle of Man. There are many carved crosses from this era, but they depict a total of two musicians, one lur player and a harpist. Songs from this era may have had Scandinavian origins; some also bear similarities to Irish and Scottish music. The song Reeaghyn dy Vannin (the Manx sword dance), is very similar to a lullaby from the Hebrides and is also said to have been a ritual dance during the Scandinavian era.
Church music is the most documented Manx music of the 19th century. The first collection of Manx church songs was printed in 1799, and was followed by many other collections, though it was not until the 1870s and 1880s that Manx music began to be published in any great quantity, as drawing-room ballads, religious songs, and choral arrangements all became popular. The proliferation of this music coincided with a boom in the tourism industry for the Isle, and Manx music-hall and dance-hall songs and dances saw increased demand.
By the 20th century instrumental music accompanied most worship on the Isle of Man. Later in the 20th century, Manx church musical traditions slowly declined.
The 1970s folk revival was kickstarted, after the 1974 death of the last native speaker of Manx, by a music festival called Yn Çhruinnaght in Ramsey .
The Manx Heritage Foundation has a dedicated Manx Music Development Team comprising a Manx Music Specialist who works with the IOM Department of Education to encourage the development of Manx music in the school curriculum and a Manx Music Development Officer, who works to promote Manx Music and Dance in the wider community. CDs by bands, soloists and Gaelic choirs are being produced all of the time.
Read more about this topic: Culture Of The Isle Of Man
Famous quotes containing the word music:
“It was a poetic recreation to watch those distant sails steering for half-fabulous ports, whose very names are a mysterious music to our ears.... It is remarkable that men do not sail the sea with more expectation. Nothing was ever accomplished in a prosaic mood.”
—Henry David Thoreau (1817–1862)
“I’d rather you shot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.... Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”
—Harper Lee (b. 1926)
“I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.”
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)