Theater
The emergence of Hebrew theatre predated the state by nearly 50 years. The first amateur Hebrew theatre group was active in Palestine from 1904 to 1914. The first professional Hebrew theatre, Habimah, was founded in Moscow in 1917, and moved to Palestine in 1931, where it became the country's national theater. The Ohel Theatre was founded in 1925 as a workers' theatre that explored socialist and biblical themes. The first Hebrew plays revolved around pioneering.
After 1948, two major motifs were the Holocaust and the Arab-Israeli conflict. Moshe Shamir's He Walked in the Fields in 1949 was the first produced by a sabra writing about sabras in idiomatic and contemporary Hebrew. In the 1950s, dramatists portrayed the gap between pre-state dreams and disillusionment. Other plays pitted native Israelis against Holocaust survivors. Beginning in the 1960s, Hanoch Levin wrote 56 plays and political satires. During the 1970s, Israeli theatre became more critical, contrasting extreme images of Israeli identity, such as the muscleman and the spiritual Jew. In the 1980s, Yehoshua Sobol explored Israeli-Jewish identity issues. Today, Israeli theatre is extremely diverse in content and style, and half of all plays are local productions.
Read more about this topic: Culture Of Israel
Famous quotes containing the word theater:
“We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.”
—James Thurber (1894–1961)
“Be reflective ... and stay away from the theater as much as you can. Stay out of the theatrical world, out of its petty interests, its inbreeding tendencies, its stifling atmosphere, its corroding influence. Once become “theatricalized,” and you are lost, my friend; you are lost.”
—Minnie Maddern Fiske (1865–1932)
“screenwriter
Tony Pastor, the pioneer of vaudeville, played the theater in 1876.... He had been preceded by P.T. Barnum, and an occasional performer such as Professor Simmons, “Great, Weird, Wondrous, and Invincibly Incomprehensible ... Basiliconthamaturgist.””
—State of Utah, U.S. public relief program (1935-1943)