Music
The first major musical composition by a Belarusian was the opera Faust by Antoni Radziwiłł. In the 17th century, Polish composer Stanislau Maniushka composed many operas and chamber music pieces while living in Minsk. During his stay, he worked with Belarusian poet Vincent Dunin-Marcinkevich and created the opera Sialianka (Peasant Woman). At the end of the 19th century, major Belarusian cities formed their own opera and ballet companies. The ballet Nightingale by M. Kroshner was composed during the Soviet era.
After the Great Patriotic War, the music focused on the hardships of the Belarusian people or on those who took up arms in defense of the homeland. This was the time period that A. Bogatyryov, the creator of the opera 'In Polesye Virgin Forest', served as the "tutor" of Belarusian composers. The National Academic Theatre of Ballet, in Minsk, was awarded the Benois de la Dance Prize in 1996 as the top ballet company in the world.
Popular Soviet Belarusian music was composed by several prominent bands, many of whom performed Belarusian folk music. Folk rock act Pesniary, formed in 1969 by guitarist Vladimir Mulyavin, became the most popular folk band of the Soviet Union, and often toured over Europe. Pesniary's example inspired Siabry and Verasy to follow their way. The tradition of Belarus as a centre of folk and folk rock music is continued today by Stary Olsa, Vicious Crusade and Gods Tower, among others.
Rock music of Belarus arose in Perestroika times. Bands like Bi-2 (currently living in Russia), Lyapis Trubetskoy, Krama and ULIS were founded in late 1980s or early 90's. Though rock music has risen in popularity in recent years, the Belarusian government has suppressed the development of popular music through various legal and economic mechanisms. Because of this restrictions, many Belarusian bands prefer to sign up to Russian labels and to perform in Russia or Ukraine.
Researchers Maya Medich and Lemez Lovas reported in 2006 that "independent music-making in Belarus today is an increasingly difficult and risky enterprise", and that the Belarusian government "puts pressure on ‘unofficial’ musicians - including ‘banning’ from official media and imposing severe restrictions on live performance." In a video interview on freemuse.org the two authors explain the mechanisms of censorship in Belarus.
Since 2004, Belarus has been sending artists to the Eurovision Song Contest.
Read more about this topic: Culture Of Belarus
Famous quotes containing the word music:
“See where my Love sits in the beds of spices,
Beset all round with camphor, myrrh, and roses,
And interlaced with curious devices
Which her apart from all the world incloses!
There doth she tune her lute for her delight,
And with sweet music makes the ground to move,
Whilst I, poor I, do sit in heavy plight,
Wailing alone my unrespected love;”
—Bartholomew Griffin (d. 1602)
“Noble and wise men once believed in the music of the spheres: noble and wise men still continue to believe in the “moral significance of existence.” But one day even this sphere-music will no longer be audible to them! They will wake up and take note that their ears were dreaming.”
—Friedrich Nietzsche (1844–1900)
“As I define it, rock & roll is dead. The attitude isn’t dead, but the music is no longer vital. It doesn’t have the same meaning. The attitude, though, is still very much alive—and it still informs other kinds of music.”
—David Byrne (b. 1952)