Culture Crash Comics was a bi-monthly Filipino comic magazine. Jescie James L. Palabay, the publisher of the magazine states that the name is derived from a perception of Filipino culture, that is "basically a crash of cultures". The publication's name is a wordplay on the phrase clash of cultures and proved to be controversial upon its maiden launch. The issue of the Filipino's cultural identity has been widely debated by CCCom's (Culture Crash Comics) peers in the Philippine comic book industry. While the group's work standard is based on those established by publishers in the U.S., Europe and Japan, there is a strong, conscious effort to retain a Filipino character at the heart of the comic. The artwork is Japanese-inspired but the stories are uniquely and distinctly Filipino-based. Their anthology format was also inspired by the traditional way Filipino comics were published. One of their claim to fame is that they also created their own revolutionary process in making comics. They are also considered as pioneers in standardizing the painted background style. The prototype for Culture Crash was the comic magazine Culture Shock, which was produced by the group Asiancore Komiks in 1996.
Read more about Culture Crash Comics: Staff Avatars, The Staff After The Discontinuation of Culture Crash Comics
Famous quotes containing the words culture and/or crash:
“All our civilization had meant nothing. The same culture that had nurtured the kindly enlightened people among whom I had been brought up, carried around with it war. Why should I not have known this? I did know it, but I did not believe it. I believed it as we believe we are going to die. Something that is to happen in some remote time.”
—Mary Heaton Vorse (18741966)
“Crash on crash of the sea,
straining to wreck men, sea-boards, continents,
raging against the world, furious.”
—Hilda Doolittle (18861961)