Effect On Amateur Theatre
Cellier and Bridgeman wrote, in 1914, that prior to the creation of the Savoy operas, amateur actors were treated with contempt by professionals. After the formation of amateur Gilbert and Sullivan troupes in the 1880s licensed to perform the operas, professionals recognised that the amateur groups "support the culture of music and the drama. They are now accepted as useful training schools for the legitimate stage, and from the volunteer ranks have sprung many present-day favourites." Cellier and Bridgeman attributed the rise in quality and reputation of the amateur groups largely to "the popularity of, and infectious craze for performing, the Gilbert and Sullivan operas". The National Operatic and Dramatic Association was founded in 1899. It reported, in 1914, that nearly 200 British amateur troupes were producing Gilbert and Sullivan operas that year. There continue to be hundreds of amateur groups or societies performing the Gilbert and Sullivan works worldwide.
Read more about this topic: Cultural Influence Of Gilbert And Sullivan
Famous quotes containing the words effect, amateur and/or theatre:
“The courage of a great many men, and the virtue of a great many women, are the effect of vanity, shame, and especially a suitable temperament.”
—François, Duc De La Rochefoucauld (1613–1680)
“I have been reporting club meetings for four years and I am tired of hearing reviews of the books I was brought up on. I am tired of amateur performances at occasions announced to be for purposes either of enjoyment or improvement. I am tired of suffering under the pretense of acquiring culture. I am tired of hearing the word “culture” used so wantonly. I am tired of essays that let no guilty author escape quotation.”
—Josephine Woodward, U.S. author. As quoted in Everyone Was Brave, ch. 3, by William L. O’Neill (1969)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)