Design
A crystal earpiece typically consists of a piezoelectric crystal with metal electrodes attached to either side, glued to a conical plastic or metal foil diaphragm, enclosed in a plastic case. The piezoelectric material used in early crystal earphones was Rochelle salt, but modern earphones use barium titanate, or less often quartz. When the audio signal is applied to the electrodes, the crystal bends back and forth a little with the signal, vibrating the diaphragm. The diaphragm pushes on the air, creating soundwaves. The plastic earpiece casing confines the sound waves and conducts them efficiently into the ear canal, to the eardrum. The diaphragm is generally fixed at its outer edge, relying on bending to operate. The air path in the ear piece is generally a horn shape, converting the diaphragm movement into a narrower column of air with a greater distance of movement to increase volume.
Crystal earpieces are usually monaural devices with very low sound fidelity, but high sensitivity and impedance. Their peak use was probably with 1960s era transistor radios and hearing aids. They aren't used with modern portable media players due to unacceptable sound quality.
Crystal earpieces are widely used in crystal radio projects and experiments. Their very high sensitivity enables them to use the very weak signals produced by crystal radios, and their high impedance (on the order of 20 kilohms) is a good match for the typical crystal radio. They have also been used as microphones, with their high output requiring less amplification.
The main causes of poor performance with these earpieces are low diaphragm excursion, nonlinearity, in-band resonance and the very short horn shape of the earpiece casing. The resulting sound is very tinny and lacking in bass.
Read more about this topic: Crystal Earpiece
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