Production
Crossing Jordan was created by Tim Kring and was produced by Tailwind Productions in association with NBC Universal. Singer-songwriter duo Wendy and Lisa scored the music for the show. Eric Rigler's pipes and whistles can be heard in most episodes. The scientific aspects of the show are comparable to CSI: Crime Scene Investigation, but Jordan is more character-driven and less graphic than the CSI franchise.
In the first season, Hennessy was the only cast member visible during the opening credits, which featured Eric Rigler's arrangement of a traditional Irish tune "My Love Is In America" ("Reels Part Two: My Love Is In America" from the Bad Haggis CD 'Trip'). Starting with the second season, the credits showed all the major players and used a more rock-like, less Irish-sounding opening theme.
Crossing Jordan is set in the same fictional universe as fellow NBC series Las Vegas. In the Season 4 episode "What Happens in Vegas Dies in Boston", a case takes Jordan and Woody to Las Vegas, where Woody became very well-acquainted with the Montecito's casino host, Sam Marquez (Vanessa Marcil). They maintained a long-distance relationship for a while, O'Connell appeared in five episodes of Las Vegas and Vanessa Marcil appearing as Sam in two Crossing Jordan episodes.
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Famous quotes containing the word production:
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)