Critical social thought is an interdisciplinary academic major offered at several liberal arts colleges.
It addresses the fundamental questions about social life and embraces the contours of modern experience and the historical forces that have helped to shape that experience. It examines the prevailing and oppositional currents of thought; cultural representations as well as the technologies of their production and dissemination; the tensions between power and freedom, individuality and society, truth and uncertainty, creativity and order.
The program treats common sense and conventional beliefs as points of departure rather than as predetermined points of arrival. It also supports questioning the taken-for-granted regardless of the political angle from which that questioning takes place. While critical social thought introduces a broad range of established critical genres, it also encourages imaginative thinking through synthesis and bridging tendencies of thought.
Examples of topical concentrations include: Architecture and the social organization of space, disenchantment, peace and conflict, racial and ethnic identities, the Western canon and its critics.
Famous quotes containing the words critical, social and/or thought:
“The critical spirit never knows when to stop meddling.”
—Mason Cooley (b. 1927)
“The protection of a ten-year-old girl from her fathers advances is a necessary condition of social order, but the protection of the father from temptation is a necessary condition of his continued social adjustment. The protections that are built up in the child against desire for the parent become the essential counterpart to the attitudes in the parent that protect the child.”
—Margaret Mead (19011978)
“May we not assure ourselves that whatever womans thought and study shall embrace will thereby receive a new inspiration, that she will save science from materialism, and art from a gross realism; that the eternal womanly shall lead upward and onward?”
—Louisa Parsons Hopkins, U.S. scientist and author. As quoted in The Fair Women, ch. 16, by Jeanne Madeline Weimann (1981)