Origins
The Crimean Tatar ethnos originated on the territory of the Crimean peninsula and inland steppes in the 14th and 15th century. The main ethnic components that were successively incorporated into the new ethnos were the ancient indigenous populations (for example -Bat-Bayan's protobulgarians), the Kumans and, finally, the Kipchakized Mongol clans. Due to the slave trade and the military campaigns for the capture of slaves, economic mainstays of the Crimean khanate - other ethnoses also contributed to the Tatar genotype.
The Tatars in Bulgaria were formed as a group with a common identity as a result of the ethnic consolidation of the immigrants: Crimean Tatars proper, Nogay. Karachai and the distinct group of the Tats. Their consolidation was based on the close languages, common destiny and political idea of belonging to the former Crimean khanate and respective ethno-social formations.
The Tatars associate their common descent with the idea of a homeland: "we are all from the Crimea", "the Crimea is the homeland of our ancestors" - as well as with their knowledge about its history and the destiny of their own people.
The Tatars stress their specific anthropological type. They regard it as a main marker of Tatar identity’, second only to the language. For example, Tatars from Golyamo Vranovo say that those from Vetovo are "truer Tatars" not only because their language is "purer", but also because they have "larger heads and slit eyes. The Tatars also differ from the others in that most of them are "dark-eyed", with a "broad, flat face". Their neighbours likewise regard the specific appearance as a main distinctive feature of the Tatars. They talk of a "Tatar face".
Read more about this topic: Crimean Tatars In Bulgaria
Famous quotes containing the word origins:
“Compare the history of the novel to that of rock n roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. Material Differences, Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: Look what I killed. Arent I the best?”
—Katharine Hamnett (b. 1948)
“Grown onto every inch of plate, except
Where the hinges let it move, were living things,
Barnacles, mussels, water weedsand one
Blue bit of polished glass, glued there by time:
The origins of art.”
—Howard Moss (b. 1922)