Types
There are three major types of Cretan lyras:
- the lyraki (Greek: λυράκι), a small model of lyra, almost identical to the Byzantine lyra devoted only to the performance of dances (Anoyanakis, 1976)
- the vrontolyra (Greek: βροντόλυρα), which is gives a very strong sound, ideal for accompaniment songs.
- the common lyra (Greek: λύρα κοινή), popular in the island today; designed after the combination of lyraki with the violin.
The influence of the violin caused the transformation of many features of the old form of Cretan Lyra (lyraki) into the contemporary lyra, including its tuning, performance practice, and repertory. In 1920, the viololyra was developed in an effort of local instrument manufacturers to give the sound and the technical possibilities of the violin to the old Byzantine lyraki. Twenty years later a new combination of lyraki and violin gave birth to the common lyra. Other types include the four-stringed lyra. In 1990, Ross Daly designed a new type of Cretan lyra which incorporates elements of lyraki, the Byzantine lyra and the Indian sarangi. The result was a lyra with three playing strings of 29 cm in length (the same as the standard Cretan lyra), and 18 sympathetic strings which resonate on Indian-styled jawari bridges (the number of sympathetic strings was later increased to 22).
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