History
Although creative professionals have been a part of the workforce for more than 500 years, several events during the past decade have altered industry and public perception of these workers.
The change in status began in the late 1990s when demand for creative workers was high due to the internet boom. Creative workers found that their talents in graphic and interactive design were valuable, and so, the workers began to develop independent cultures in select cities throughout the world, notably San Francisco, New York City and Boston. Some smaller cities, such as Austin and Portland also became centers where creative people found abundant opportunity. This trend has been documented in author Richard Florida's book, The Creative Class.
As the creative workforce has evolved in the post-dot.com era, creative workers have continued to flourish. Daniel Pink's book, A Whole New Mind, describes the transition in American business from information age to conceptual age. Pink describes information-era jobs as expendable and exportable, and offers that the MFA may yield more value for newer American workers than the MBA might generate in today's economy.
The Creative Professional, by Howard Blumenthal, describes the phenomenon from yet another perspective: that of the individual worker now emerging as a serious business professional with specific skills on par with lawyers, accountants, doctors, and other workers who are perceived to be within a special class. The book describes the unique business and career issues for the individual creative worker.
Read more about this topic: Creative Professional
Famous quotes containing the word history:
“For a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.”
—F. Scott Fitzgerald (1896–1940)
“The history of any nation follows an undulatory course. In the trough of the wave we find more or less complete anarchy; but the crest is not more or less complete Utopia, but only, at best, a tolerably humane, partially free and fairly just society that invariably carries within itself the seeds of its own decadence.”
—Aldous Huxley (1894–1963)
“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (1935–1994)