History
Formed in 1986 in Portsmouth, England by siblings Alison and Jim Shaw, and named after the many mechanical cranes around the city's docks, Cranes are best known for the childlike, high-pitched vocals of lead singer Alison.
The band's first release was the self-financed Fuse cassette. They recorded the Self Non Self mini-LP in 1989, which led to them recording their first of two sessions for John Peel's BBC Radio 1 show. They moved to the BMG offshoot Dedicated Records in 1990. With the addition of Mark Francombe and Matt Cope (both guitar), they released a series of EPs in 1990 and 1991 that preceded their debut full-length album, Wings of Joy, which reached number 52 on the UK Albums Chart. Following a general softening of their sound, the introduction of pop elements to their music, and a world tour with The Cure in 1992, the band's popularity increased, and peaked with the release of the album Forever (UK No. 40), which contained their biggest hit single, "Jewel" (UK No. 29).
The band fell silent for a period of approximately four years after the release of Population 4 in 1997, and the subsequent closure of Dedicated, with the original line-up breaking up. In 2000, the Shaws formed a new line-up and began writing music again, and released Future Songs and Particles and Waves on their own label, Dadaphonic. These albums signified a change in the overall style of their music, emphasising its ambient, ethereal qualities. Despite heading in a more electronic direction, however, the band's music continued to revolve around Alison Shaw's distinctive singing. In 2002 the band again supported The Cure, at Hyde Park and several European festivals.
Read more about this topic: Cranes (band)
Famous quotes containing the word history:
“Books of natural history aim commonly to be hasty schedules, or inventories of God’s property, by some clerk. They do not in the least teach the divine view of nature, but the popular view, or rather the popular method of studying nature, and make haste to conduct the persevering pupil only into that dilemma where the professors always dwell.”
—Henry David Thoreau (1817–1862)
“Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.”
—Bertolt Brecht (1898–1956)
“In nature, all is useful, all is beautiful. It is therefore beautiful, because it is alive, moving, reproductive; it is therefore useful, because it is symmetrical and fair. Beauty will not come at the call of a legislature, nor will it repeat in England or America its history in Greece. It will come, as always, unannounced, and spring up between the feet of brave and earnest men.”
—Ralph Waldo Emerson (1803–1882)